Cantrell, Kate ORCID: https://orcid.org/0000-0001-5689-614X and Bickle, Sharon
ORCID: https://orcid.org/0000-0001-7151-3733
(2021)
Cat in a Spat: Scrapping Dr Seuss Books is Not Cancel Culture.
The Conversation, 4 March 2021.
pp. 1-6.
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733 and Heneghan, Marie
(2019)
I 'Believe in Willie Hughes': The Portrait of Mr W.H.
In:
Critical Insights: Oscar Wilde.
Grey House Publishing, Amenia, United States, pp. 160-172.
ISBN 9781642653090
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2019)
Love, forgery and strange desires: textual editing as research practice.
In:
Publishing and culture.
Cambridge Scholars Publishing, Newcastle Upon Tyne, United Kingdom, pp. 139-153.
ISBN 978-1-5275-2804-8
McWilliam, Kelly ORCID: https://orcid.org/0000-0002-3991-4593 and Bickle, Sharon
ORCID: https://orcid.org/0000-0001-7151-3733
(2019)
The Book of Revelation: othering the centre.
In:
Ana Kokkinos: an oeuvre of outsiders.
Visionaries: Thinking Through Female Filmmakers.
Edinburgh University Press, Edinburgh, United kingdom, pp. 64-80.
ISBN 978-1-4744-4052-3
McWilliam, Kelly ORCID: https://orcid.org/0000-0002-3991-4593 and Bickle, Sharon
ORCID: https://orcid.org/0000-0001-7151-3733
(2017)
Digital storytelling and the ‘problem’ of sentimentality.
Media International Australia, 165 (1).
pp. 77-89.
ISSN 1329-878X
McWilliam, Kelly ORCID: https://orcid.org/0000-0002-3991-4593 and Bickle, Sharon
ORCID: https://orcid.org/0000-0001-7151-3733
(2017)
Re-imagining the rape-revenge genre: Ana Kokkinos’ The book of revelation.
Continuum: Journal of Media and Cultural Studies, 31 (5).
pp. 706-713.
ISSN 1030-4312
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2016)
Living 'wilfully': the same-sex marriage ceremony of 'Michael Field' by the Smutt River.
Hecate: An Interdisciplinary Journal of Women's Liberation, 41 (1/2).
pp. 116-128.
ISSN 0311-4198
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2013)
The fierce earth: 'Michael Field's' pagan politics.
Hecate: An Interdisciplinary Journal of Women's Liberation, 38 (1/2).
pp. 78-90.
ISSN 0311-4198
Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733
(2013)
Twisting Dickens: modding childhood for the steampunk marketplace in Cory Doctorow's 'Clockwork Fagin' (2011).
Australasian Journal of Victorian Studies, 18 (3).
pp. 58-71.
ISSN 1327-8746
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2012)
Disability and gender in the visual field: seeing the subterranean lives of Michael Field's William Rufus (1885).
Victorian Literature and Culture, 40 (1).
pp. 137-152.
ISSN 1060-1503
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2010)
Victorian Maenads: on Michael Field's Callirrhoe and being driven mad.
The Michaelian (2).
pp. 1-10.
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2008)
Finding love in the archives: editing the 'lost' love letters of 'Michael Field'.
In:
Lifewriting annual: Biographical and autobiographical studies.
Lifewriting Annual, 2.
AMS Press, New York, pp. 73-91.
ISBN 9780404634223
Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733 and Field, Michael
(2008)
The fowl and the pussycat: Love letters of Michael Field, 1876-1909.
[A Creative/Applied Media collection]
Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733
(2007)
Rethinking Michael Field: The case for the Bodleian letters.
In:
Michael Field and Their World.
Rivendale Press, United Kingdom, pp. 39-47.
ISBN 9781904201083
Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733
(2006)
'Kick [ing] against the pricks': Michael Field's Brutus Ultor as manifesto for the 'new woman'.
Nineteenth Century Theatre and Film, 33 (2).
pp. 12-29.
ISSN 1748-3727