Browse by Fields of Research (ANZSRC 2020)

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2021) Introduction [to A room of one's own: the feminist classic]. In: A room of one's own: the feminist classic. Capstone Classics. John Wiley & Sons Ltd., United Kingdom, vii-xxii.

Cantrell, Kate ORCID: https://orcid.org/0000-0001-5689-614X (2021) The Wind in the Willows: A Tale of Wanderlust, Male Bonding, and Timeless Delight. The Conversation, 7 January 2021. pp. 1-5.

Bedford, Alison ORCID: https://orcid.org/0000-0001-6708-9896 (2021) In Frankenstein's Wake: Mary Shelley, Morality and Science Fiction. Critical Studies in Fantasy and Science Fiction (72). McFarland & Company, Inc., Jefferson, United States. ISBN 9781476677804

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2020) Introduction [to Non-combatants and others: writings against war, 1916-1945]. In: Non-combatants and others: writings against war, 1916-1945. Handheld Classics (15). Handheld Press, United Kingdom, ix-xxvi. ISBN 978-1-912766-30-7

Johnson, Laurie (2020) Not So Tedious Ways to Think about the Locations of the Early Playhouses. In: Reading the Road, from Shakespeare's Crossways to Bunyan's Highways. Edinburgh University Press, Edinburgh, United Kingdom, pp. 107-126. ISBN 9781474454117

Johnson, Laurie (2020) Puck, Philostrate and the locus of A Midsummer Night's Dream's topical allegory. In: Shakespeare and the supernatural. Manchester University Press, Manchester, United Kingdom, pp. 157-172. ISBN 9781526109064

Chalk, Darryl (2020) Simular proof and senseless feeling: Synaesthetic overload in Cymbeline. In: Shakespeare / Sense: Contemporary Readings in Sensory Culture. Arden Shakespeare Intersections. Bloomsbury Publishing, London, United Kingdom, pp. 245-268. ISBN 978-1-4742-7323-7

Johnson, Laurie (2020) 'The end of all': how a forgotten map helped us forget Newington Butts. In: New directions in early modern English drama: edges, spaces, intersections. Late Tudor and Stuart Drama: Gender, Performance, and Material Culture. De Gruyter, Berlin / Boston, pp. 151-174. ISBN 978-1-5015-1821-8

Johnson, Laurie (2019) Bowen's recesses: from realism to inter-objectivity. In: Elizabeth Bowen: theory, thought and things. Edinburgh University Press, Edinburgh, pp. 127-144. ISBN 978-1-4744-5864-1

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2019) Elizabeth Bowen and the pleasure of the text. In: Elizabeth Bowen: theory, thought and things. Edinburgh University Press, Edinburgh, pp. 48-61. ISBN 978-1-4744-5864-1

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 and Smith, Patricia Juliana, eds. (2019) Elizabeth Bowen: theory, thought and things. Edinburgh University Press, Edinburgh. ISBN 978-1-4744-5864-1

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 and Smith, Patricia Juliana (2019) Introduction: thinking in/about Bowen. In: Elizabeth Bowen: theory, thought and things. Edinburgh University Press, Edinburgh, pp. 1-8. ISBN 978-1-4744-5864-1

Johnson, Laurie (2019) Unique lines and the ambient heart of Q1 Hamlet. Critical Survey, 31 (1/2). pp. 130-143. ISSN 0011-1570

Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733 (2019) Love, forgery and strange desires: textual editing as research practice. In: Publishing and culture. Cambridge Scholars Publishing, Newcastle Upon Tyne, United Kingdom, pp. 139-153. ISBN 978-1-5275-2804-8

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 and Sulway, Nike ORCID: https://orcid.org/0000-0002-4133-1303 (2019) The violent pacifist: ethics and disorder in Sarah Waters' The Paying Guests. English, 68 (260). pp. 67-88. ISSN 0013-8215

Johnson, Laurie (2019) From guilds to state censors: early modern stationers, regulation, and printing plays. In: Publishing and culture. Cambridge Scholars Publishing, Newcastle Upon Tyne, United Kingdom, pp. 260-273. ISBN 978-1-5275-2804-8

Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733 and Heneghan, Marie (2019) I 'Believe in Willie Hughes': The Portrait of Mr W.H. In: Critical Insights: Oscar Wilde. Grey House Publishing, Amenia, United States, pp. 160-172. ISBN 9781642653090

Sulway, Nike ORCID: https://orcid.org/0000-0002-4133-1303 (2019) Pursuit, willfulness, and the strangeness of strangers. Journal of the Fantastic in the Arts, 30 (1). pp. 42-51. ISSN 0897-0521

Heneghan, Marie (2019) Re-forming faith: idolatry and the Victorian novel. [Thesis (PhD/Research)]

Greatley-Hirsch, Brett and Johnson, Laurie (2018) Shakespeare source study in the age of Google: revisiting Greenblatt's elephants and Horatio's ground. In: Rethinking Shakespeare source study: audiences, authors, and digital technologies. Routledge Studies in Shakespeare, 32. Taylor & Francis (Routledge), New York, United States, pp. 253-278. ISBN 978-1-138-12307-6

Sulway, Nike ORCID: https://orcid.org/0000-0002-4133-1303 (2018) David Copperfield by Charles Dickens. Going Down Swinging. ISSN 0157-3950

Bedford, Alison M. ORCID: https://orcid.org/0000-0001-6708-9896 (2018) In Shelley’s wake: tracing two centuries of impact. [Thesis (PhD/Research)]

Johnson, Laurie (2018) Shakespeare's lost playhouse: eleven days at Newington Butts. Routledge Studies in Shakespeare. Taylor & Francis (Routledge), New York. ISBN 978-1-138-29633-6

Johnson, Laurie and McInnis, David (2018) Thomas Cavendish on the early modern stage. Notes and Queries. pp. 1-3. ISSN 0029-3970

Johnson, Laurie (2018) Who performed at Newington Butts in 1586? Early Theatre, 21 (2). pp. 29-48. ISSN 1206-9078

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2017) Remembering the First World War after 9/11: Pat Barker’s life class and Toby’s Room. In: Memory and the wars on terror: Australian and British perspectives. Palgrave Macmillan Memory Studies. Palgrave Macmillan Ltd., Houndmills, United Kingdom, pp. 111-123. ISBN 978-3-319-56975-8

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2017) Hyperaesthesia and futile rage: gender, anxiety and protest in Non-Combatants and Others. In: Rose Macaulay, gender, and modernity. Gender and Genre, 16. Taylor & Francis (Routledge), United Kingdom, pp. 25-38. ISBN 978-1-138-20617-5

Johnson, Laurie (2017) The possibility of saying in the early modern playhouses. Textual Practice. pp. 1-16. ISSN 0950-236X

Goodall, Peter (2017) Creating the French world of the Channel Islands in 'Note Viaer Lingo'. In: Worldmaking: literature, language, culture. FILLM Studies in Language and Literature. John Benjamins Publishing Company, Amsterdam, Philadelphia, pp. 169-178. ISBN 978-90-272-0132-4

Johnson, Laurie (2017) Pictures of Lyly: digital corruptions and biographical truths. In: Recovering history through fact and fiction: forgotten lives. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 146-157. ISBN 978-1-5275-0325-0

Johnson, Laurie (2017) The two names of Newington Butts. Shakespeare Quarterly, 68 (2). pp. 192-198. ISSN 0037-3222

Johnson, Laurie (2016) Borrowed robes and garbled transmissions: echoes of Shakespeare's dwarfish thief. TEXT: Journal of Writing and Writing Courses, Special Issue 36. pp. 1-17. ISSN 1327-9556

Sulway, Nike ORCID: https://orcid.org/0000-0002-4133-1303 (2016) Death, dildoes and daffodils: a winter’s tale [Short story]. TEXT: Journal of Writing and Writing Courses, Special Issue 36. ISSN 1327-9556

Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733 (2016) Living 'wilfully': the same-sex marriage ceremony of 'Michael Field' by the Smutt River. Hecate: An Interdisciplinary Journal of Women's Liberation, 41 (1/2). pp. 116-128. ISSN 0311-4198

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2016) Anxious affinities: gender and dereliction in Sarah Waters's neo-forties novels. In: Sarah Waters and contemporary feminisms. Palgrave Macmillan Ltd., Basingstoke, United Kingdom, pp. 81-96. ISBN 978-1-137-50607-8

Johnson, Laurie (2016) Caesar in Elsinore and elsewhere: topicality and Roman history. Early Modern Literary Studies: a Journal of Sixteenth- and Seventeenth-Century English Literature. pp. 1-17. ISSN 1201-2459

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2016) Nowadays: trauma and modernity in Agatha Christie's late Poirot novels. Clues: a Journal of Detection, 34 (1). pp. 96-104. ISSN 0742-4248

Goodall, Peter (2016) Revealing Guernsey's ancient history in fact and fiction. Shima: the International Journal of Research into Island Cultures, 10 (2). pp. 118-128. ISSN 1834-6049

Johnson, Laurie (2016) The distributed consciousness of Shakespeare's theatre. In: Shakespeare and consciousness. Cognitive Studies in Literature and Performance. Palgrave Macmillan Ltd., New York, pp. 119-138. ISBN 978-1-137-59671-0

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2015) Where is she? Katherine Mansfield and Elizabeth Bowen. In: Katherine Mansfield and literary influence. Edinburgh University Press, Edinburgh, pp. 35-47. ISBN 9780748694419

Harmes, Marcus and Bladen, Victoria, eds. (2015) Supernatural and secular power in early modern England. Ashgate Publishing, Farnham, Surrey. England . ISBN 978--1472-42940-7

Harmes, Marcus and Bladen, Victoria (2015) The intersections of supernatural and secular power [Introduction]. In: Supernatural and secular power in early modern England. Ashgate Publishing, Farnham, Surrey. United Kingdom, pp. 1-14. ISBN 978-1-4724-2940-7

Malone, Lachlan (2015) Hellish enfleshment: embodying anti-Catholicism in early modern English culture. [Thesis (PhD/Research)]

Harmes, Marcus K. (2015) The curse of Frankenstein. Devil's Advocates. Columbia University Press (Auteur), Leighton Buzzard, United Kingdom . ISBN 978-1-906733-85-8

Harmes, Marcus K. (2014) Doctor Who and the art of adaptation: fifty years of storytelling. Science Fiction Television. Rowman & Littlefield Education, Lanham, MD, USA. ISBN 978-1-4422-3284-6

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2014) Elizabeth Bowen and the writing of trauma: the ethics of survival. Costerus New Series 202. Rodopi, Amsterdam and New York. ISBN 978-90-420-3799-1

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2014) For the sake of the children: class, anxiety and childhood in Barbara Noble's Doreen. Hecate: An Interdisciplinary Journal of Women's Liberation, 40 (1). pp. 134-141. ISSN 0311-4198

Chalk, Darryl (2014) Here's a strange alteration: contagion and the mutable mind in Coriolanus. In: Shakespeare's Renaissance/Renaissance Shakespeares: Proceedings of the Ninth World Shakespeare Congress. World Shakespeare Congress Proceedings. University of Delaware Press, Newark, DE. United States, pp. 68-76. ISBN 978-1-61149-460-0

Johnson, Laurie (2014) Quaint knowledge: a 'body-mind' pattern across Shakespeare's career. In: Conjunctions of mind, soul and body from Plato to the Enlightenment. Studies in the History of Philosophy of Mind (15). Springer, Dordrecht, Germany, pp. 279-301. ISBN 978-94-017-9071-0

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2014) 'We're all strangers': post-war anxiety in Agatha Christie's The Mousetrap. Clues: A Journal of Detection, 32 (2). pp. 115-123. ISSN 0742-4248

Johnson, Laurie (2013) The Tain of Hamlet. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom. ISBN 978-1-4438-4769-8

Johnson, Laurie (2013) Unthinking Hamlet: stage, page, and critical thought. In: Teaching Shakespeare beyond the centre: Australasian perspectives. Palgrave Shakespeare Studies. Palgrave Macmillan Ltd., Basingstoke, Hants. United Kingdom, pp. 63-74. ISBN 978-1-137-27506-6

Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733 (2013) The fierce earth: 'Michael Field's' pagan politics. Hecate: An Interdisciplinary Journal of Women's Liberation, 38 (1/2). pp. 78-90. ISSN 0311-4198

Harmes, Marcus (2013) Martians, demons, vampires, and vicars: the Church of England in post-war science fiction. Journal of Religion and Popular Culture, 25 (2). pp. 217-229.

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2013) The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic. Australasian Journal of Victorian Studies, 18 (3). pp. 99-108.

Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733 (2013) Twisting Dickens: modding childhood for the steampunk marketplace in Cory Doctorow's 'Clockwork Fagin' (2011). Australasian Journal of Victorian Studies, 18 (3). pp. 58-71. ISSN 1327-8746

Gildersleeve, Jessica, ed. (2013) Victorian vocabularies: refereed proceedings of the 2012 Australasian Victorian studies conference. Macquarie Lighthouse E-book Publishing, Australia. ISBN 9780987161123

Goodall, Peter (2013) Writing the story of the wartime occupation of the Channel Islands. In: Storytelling: critical and creative approaches. Palgrave Macmillan Ltd., London, United Kingdom, pp. 114-123. ISBN 978-1-137-34994-1

Goodall, Peter (2012) Human values in a mass society: a reading of George Orwell's novels. In: What is the human? Australian voices from the humanities. Australian Scholarly Publishing, Melbourne, Australia, pp. 139-153. ISBN 978-1-921875-60-1

Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733 (2012) Disability and gender in the visual field: seeing the subterranean lives of Michael Field's William Rufus (1885). Victorian Literature and Culture, 40 (1). pp. 137-152. ISSN 1060-1503

Harmes, Barbara and Harmes, Marcus (2012) My secret life and the sexual economy of fin-de-siecle England. Australasian Journal of Victorian Studies, 17 (1). pp. 15-26. ISSN 1327-8746

Johnson, Laurie (2012) 'To pay our wonted tribute,' or topical specificity in Cymbeline. In: The British World: Religion, Memory, Society, Culture, 2-5 July 2012, Toowoomba, Australia.

Antonio, Amy (2012) Women and the gaze: sexual knowledge and the fatal woman in The Changeling. In: The British World: Religion, Memory, Society, Culture, 2-5 July 2012, Toowoomba, Australia.

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2011) Monstrous child: Rosamond Lehmann's war writing. Philament, 17 (17). pp. 1-11.

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2011) Her story: Liza's England (The Century's Daughter). In: Re-reading Pat Barker. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 25-41. ISBN 978-1-4438-3441-4

Harmes, Marcus (2011) O, let me view his visage, being dead: decapitation and the legitimating of power in early modern England. In: 1st Shakespearean Reverie Symposium 2011, 6-8 Oct 2011, Toowoomba, Australia.

Judith, Kate ORCID: https://orcid.org/0000-0002-2021-9830 (2011) The Quiet American. In: Encountering conflict. Smartstudy English Context Guide for English VCE Units 3&4. National Educational Advancement Programs (Neap) Pty Ltd, Melbourne, Australia, pp. 33-40. ISBN 978-1-86478-167-0

Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733 (2010) Victorian Maenads: on Michael Field's Callirrhoe and being driven mad. The Michaelian (2). pp. 1-10.

Alderdice, Scott and Brodie, Stephen (2010) Busting Shakespeare: the TEL way. In: 2010 International Technology, Education and Development Conference (INTED2010), 8-10 March 2010, Valencia, Spain.

Chalk, Darryl (2010) Contagious emulation: antitheatricality and theatre as plague in 'Troilus and Cressida'. In: This earthly stage: world and stage in late medieval and early modern England. Cursor Mundi (13). Brepols Publishers, Turnhout, Belgium, pp. 75-101. ISBN 978-2-503-53226-4

Parkes, Geoffrey (2010) Decorating the abyss: crafting a post-holocaust ethics of the self. [Thesis (PhD/Research)]

Timbrell, Daniel (2010) I will fast being loose: gaming and sexual conquest in Love's Labour's Lost. In: Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 49-70. ISBN 978-1-4438-2328-9

Chalk, Darryl and Johnson, Laurie (2010) Rapt in secret studies and emergence in Shakespeare studies [Introduction]. In: Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 1-8. ISBN 978-1-4438-2328-9

Chalk, Darryl and Johnson, Laurie, eds. (2010) Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom. ISBN 978-1-4438-2328-9

Johnson, Laurie (2010) Shakespeare's gifts: self-fashioning, authorising, Stephen Greenblatt. In: Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kigndom, pp. 329-346. ISBN 978-1-4438-2328-9

Judith, Kate ORCID: https://orcid.org/0000-0002-2021-9830 (2010) Spies. In: Whose reality? Smartstudy English Context Guide for English VCE Units 3&4. National Educational Advancement Programs (Neap) Pty Ltd, Melbourne, Australia, pp. 16-23. ISBN 978-1-86478-161-8

Chalk, Darryl (2010) To creep in at mine eyes: theatre and secret contagion in Twelfth Night. In: Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 171-193. ISBN 978-1-4438-2328-9

Timbrell, Daniel (2010) When I am in game, I am furious: gaming and sexual conquest in early modern English drama. [Thesis (PhD/Research)]

Goodall, Peter (2010) Writing the literary history of the Channel Islands. In: 6th International Small Island Cultures Conference (ISIC6), 22-25 Jun 2010, Guernsey.

Chalk, Darryl (2009) A nature but infected: plague and embodied transformation in Timon of Athens. Early Modern Literary Studies (19). 9.1-28.

Johnson, Laurie (2009) Differing returns: on history, bodies and early modern lives. Early Modern Literary Studies (Specia). 14.1-14.9. ISSN 1201-2459

Johnson, Laurie (2009) Nobler in the mind: the emergence of early modern anxiety. AUMLA: Journal of the Australasian Universities Language and Literature Association. pp. 141-156. ISSN 0001-2793

Goodall, Peter, ed. (2009) Chaucer's Monk's Tale and Nun's Priest's Tale: an annotated bibliography 1900 to 2000. The Chaucer Bibliographies. University of Toronto, Toronto, Canada. ISBN 978-08020-9320-2

Goodall, Peter (2009) Chaucer's Monk's Tale and Nun's Priest's Tale: an annotated bibliography 1900 to 2000 [Introduction]. In: Chaucer's Monk's Tale and Nun's Priest's Tale: an annotated bibliography 1900 to 2000. Chaucer Bibliographies. University of Toronto Press, Toronto, Canada, xix-xlviii. ISBN 978-0-8020-9320-2

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 (2009) Regarding violence in Pat Barker's Double Vision. Peer English, 4. pp. 32-46.

Goodall, Peter (2008) The rock whence ye are hewn: the book of Ebenezer Le Page and Guernsey literature and history. Modern Language Review, 103 (1). pp. 22-34. ISSN 0026-7937

Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733 (2008) Finding love in the archives: editing the 'lost' love letters of 'Michael Field'. In: Lifewriting annual: Biographical and autobiographical studies. Lifewriting Annual, 2. AMS Press, New York, pp. 73-91. ISBN 9780404634223

Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733 and Field, Michael (2008) The fowl and the pussycat: Love letters of Michael Field, 1876-1909. [A Creative/Applied Media collection]

Goodall, Peter (2007) The Spell of Sarnia: fictional representations of the island of Guernsey. Shima: the International Journal of Research into Island Cultures, 1 (2). pp. 59-69. ISSN 1834-6049

Judith, Kate ORCID: https://orcid.org/0000-0002-2021-9830 (2007) Omagh. In: Encountering conflict. Smartstudy English Context Guide for English VCE Units 3&4. National Educational Advancement Programs (Neap) Pty Ltd, Melbourne, Australia, pp. 9-22. ISBN 978-1-86478-132-8

Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733 (2007) Rethinking Michael Field: The case for the Bodleian letters. In: Michael Field and Their World. Rivendale Press, United Kingdom, pp. 39-47. ISBN 9781904201083

Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733 (2006) 'Kick [ing] against the pricks': Michael Field's Brutus Ultor as manifesto for the 'new woman'. Nineteenth Century Theatre and Film, 33 (2). pp. 12-29. ISSN 1748-3727

Goodall, Peter (2006) The author in the study: self-representation as reader and writer in the medieval and early modern periods. In: Early modern autobiography: theories, genres, practices. University of Michigan Press, Ann Arbor, MI. United States, pp. 104-114. ISBN 978-0-472-09928-3

Herbertson, Ian Richard (2006) Working-class writing and Americanisation debates in Britain and Australia: 1950-1965. [Thesis (PhD/Research)]

Lee, Christopher (2002) Madness, morality, and masculinity: the contradictions of gender and genre in Henry Kingsley's The Hillyars and the Burtons. In: Nineteenth-century literature criticsim. Gale, New York, USA, pp. 250-257.

Johnson, Laurie (1999) Felix and Gilles's tempestuous, monstrous machine. M/C Journal: A Journal of Media and Culture, 2 (6).

Musgrove, Brian (1999) Travel and unsettlement: Freud on vacation. In: Travel writing and empire: postcolonial theory in transit. Zed Books, London, United Kingdom, pp. 31-44. ISBN 1856496287