Browse by Fields of Research (ANZSRC 2020)

Maddock, Daniel (2021) Editorial. Cinematography in Progress, 1 (1). pp. 1-5. ISSN 2684-3994

Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615, ed. (2021) The Routledge Companion to Australian Literature. Taylor & Francis (Routledge), New York, United States. ISBN 978-0-367-64356-0

Maddock, Daniel (2021) Virtually Real: Cinematographic Verisimilitude within the Construct of Artistic Referentiality. Quarterly Review of Film and Video, 38 (1). pp. 61-83. ISSN 1050-9208

Humby, Lauren (2020) Life-course theory and romance. In: Theories of crime through popular culture. Palgrave Macmillan Ltd., Cham, Switzerland, pp. 159-171. ISBN 978-3-030-54433-1

Sparkes, Daryl (2020) 10 years on, Inception remains Christopher Nolan’s most complex and intellectual film. The Conversation, 20 August 2020. pp. 1-4.

Maddock, Daniel and Redulla, Monique (2019) The tenth muse: the art of visual film making. Australian Art Education, 40 (2). pp. 207-224. ISSN 1032-1942

Maddock, Daniel (2019) USQ Homepage Website. [A Creative/Applied Media collection]

Maddock, Daniel (2019) Combat cinematography: interpreting the cinematographic form of combat realism. In: The Palgrave handbook of artistic and cultural responses to war since 1914: the British Isles, the United States and Australasia. Palgrave Macmillan Ltd., Cham, Switzerland, pp. 447-465. ISBN 978-3-319-96985-5

Maddock, Daniel (2018) Reframing cinematography: interpreting cinematography in an emerging virtual practice. [Thesis (PhD/Research)]

Maddock, Daniel (2018) Uncomposed: unconventional cinematographic composition in cinema and television. Australian Art Education, 39 (2). pp. 268-287. ISSN 1032-1942

Maddock, Daniel (2018) Reframing cinematography. Media Practice and Education, 20 (1). pp. 44-66. ISSN 2574-1136

Maddock, Daniel (2018) Re-framing cinematography: should we re-define our practice. Australian Cinematographer, 1 (77). pp. 64-65.

McWilliam, Kelly ORCID: https://orcid.org/0000-0002-3991-4593 (2017) Girl meets girl: sexual sitings in lesbian romantic comedies. In: Intimate relationships in cinema, literature and visual culture. Palgrave Macmillan Ltd., London, United Kingdom, pp. 145-155. ISBN 978-3-319-55281-1

Gildersleeve, Matthew (2017) Se Faire Voir with Jung and the ethics of psychoanalysis. Social Sciences, 6 (1):16. pp. 1-24.

Beattie, Debra and Maddock, Daniel Owen (2016) Virtual historical reality: verisimilitude and the history documentary. In: ASPERA Annual Conference 2016: Screen Production Research: The Big Questions, 5-7 July 2016, Canberra, Australia.

Gildersleeve, Matthew (2016) American Psycho [Film review]. Philosophy Now, 113. pp. 48-49. ISSN 0961-5970

McWilliam, Kelly ORCID: https://orcid.org/0000-0002-3991-4593 (2016) Digital storytelling as 'national cinema'? Continuum: Journal of Media and Cultural Studies, 30 (6). pp. 706-713. ISSN 1030-4312

Sulway, Nike ORCID: https://orcid.org/0000-0002-4133-1303 (2015) Death and the M(AI)den. In: Death, Dying and the Undead: Inaugural Conference of the Australian Death Studies Network, 12 Oct 2015, Noosa, Australia.

Maddock, Daniel (2015) Cinematic evolution: what can history tell us about the future? In: CreateWorld 2015: A Digital Arts Conference, 12-13 Feb 2015, Griffith Film School, Brisbane, Australia.

Harmes, Marcus K. (2015) The curse of Frankenstein. Devil's Advocates. Columbia University Press (Auteur), Leighton Buzzard, United Kingdom . ISBN 978-1-906733-85-8

Graetz, Dan and Maddock, Daniel (2014) She Only Loves Me When I'm There - Ball Park Music. [A Creative/Applied Media collection]

O'Halloran, Michael and Maddock, Daniel (2014) Break the rock [Short drama]. [A Creative/Applied Media collection]

Calder, Thomas and Calder, Joshua and Julia, Grace and Maddock, Daniel (2014) The Great Champ Fernley. [A Creative/Applied Media collection]

Calder, Josh and Calder, Thomas and Maddock, Daniel (2014) The Trouble with Templeton - Heavy Lifting [Music Video]. [A Creative/Applied Media collection]

Harmes, Marcus K. (2013) The seventeenth century on film: patriarchy, magistracy and witchcraft in British horror films, 1968-1971. Canadian Journal of Film Studies , 22 (2). pp. 64-80. ISSN 0847-5911

Maddock, Daniel (2013) Love patrol. Australian Cinematographer, 1 (57). pp. 20-24.

Hourigan, Daniel ORCID: https://orcid.org/0000-0001-8650-4717 (2013) Ghost in the Shell 2, technicity and the subject. Film-Philosophy, 17 (1). pp. 51-67.

Hourigan, Daniel ORCID: https://orcid.org/0000-0001-8650-4717 (2011) Cinema. In: Encyclopedia of consumer culture. Sage Publications, Thousand Oaks, CA. United States, pp. 163-165. ISBN 978-0-8728-9601-7

McWilliam, Kelly ORCID: https://orcid.org/0000-0002-3991-4593 (2009) Star struck: fandom and the discourse of celebrity. In: Screen media: analysing film and television. Allen & Unwin, Sydney, Australia, pp. 245-271. ISBN 978-1-74175-448-3

McDonald, Lisa (2008) Baroque inclinations [Book review]. Cultural Studies Review, 14 (2). pp. 210-214. ISSN 1446-8123

McVeigh, Kathryn Margaret (2008) Mosaic narrative a poetics of cinematic new media narrative. [Thesis (PhD/Research)]

Huijser, Hendrik and Collins-Gearing, Brooke (2007) Representing indigenous stories in the cinema: between collaboration and appropriation. International Journal of Diversity in Organisations, Communities and Nations, 7 (3). pp. 1-9. ISSN 1447-9532

Mason, Andrew (2006) Empire histories: the commodity of nostalgia. In: FHAANZ 2006: Telling Stories: Cinema, History and Experience , 16-19 Nov 2006, Melbourne, Australia.

Huijser, Hendrik (2005) Negotiating multicultural difference in a bicultural nation: a focused case study. In: The Body Politic: Racialised Political Cultures in Australia, 24-26 Nov 2004, Brisbane, Australia.

Huijser, Hendrik (2005) Representing multiculturalism in a bicultural nation: the question of diversity in New Zealand cinema. International Journal of Diversity in Organisations, Communities and Nations, 4:DC04-0045-2004. pp. 395-401. ISSN 1447-9583

Johnson, Laurie (2001) Sick puppies and other unbecoming things. M/C Journal: A Journal of Media and Culture, 4 (3).