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Chalk, Darryl ORCID: https://orcid.org/0000-0002-5814-4678
(2021)
Like Furnace: Sighing on the Shakespearean Stage.
In:
Humorality in Early Modern Art, Material Culture, and Performance.
Palgrave Studies in Literature, Science and Medicine.
Palgrave Macmillan Ltd., Cham, Switzerland, pp. 31-50.
ISBN 978-3-030-77617-6
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2021)
Introduction [to A room of one's own: the feminist classic].
In:
A room of one's own: the feminist classic.
Capstone Classics.
John Wiley & Sons Ltd., United Kingdom, vii-xxii.
Cantrell, Kate ORCID: https://orcid.org/0000-0001-5689-614X and Bryce, India
ORCID: https://orcid.org/0000-0002-3616-8003 and Gildersleeve, Jessica
ORCID: https://orcid.org/0000-0001-7694-5615
(2021)
Abused, Neglected, Abandoned: Did Roald Dahl Hate Children as Much as the Witches Did?
The Conversation, 21 January 2021.
pp. 1-3.
Cantrell, Kate ORCID: https://orcid.org/0000-0001-5689-614X
(2021)
The Wind in the Willows: A Tale of Wanderlust, Male Bonding, and Timeless Delight.
The Conversation, 7 January 2021.
pp. 1-5.
Bedford, Alison ORCID: https://orcid.org/0000-0001-6708-9896
(2021)
In Frankenstein's Wake: Mary Shelley, Morality and Science Fiction.
Critical Studies in Fantasy and Science Fiction (72).
McFarland & Company, Inc., Jefferson, United States.
ISBN 9781476677804
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2020)
Introduction [to Non-combatants and others: writings against war, 1916-1945].
In:
Non-combatants and others: writings against war, 1916-1945.
Handheld Classics (15).
Handheld Press, United Kingdom, ix-xxvi.
ISBN 978-1-912766-30-7
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2020)
Not So Tedious Ways to Think about the Locations of the Early Playhouses.
In:
Reading the Road, from Shakespeare's Crossways to Bunyan's Highways.
Edinburgh University Press, Edinburgh, United Kingdom, pp. 107-126.
ISBN 9781474454117
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2020)
Puck, Philostrate and the locus of A Midsummer Night's Dream's topical allegory.
In:
Shakespeare and the supernatural.
Manchester University Press, Manchester, United Kingdom, pp. 157-172.
ISBN 9781526109064
Chalk, Darryl ORCID: https://orcid.org/0000-0002-5814-4678
(2020)
Simular proof and senseless feeling: Synaesthetic overload in Cymbeline.
In:
Shakespeare / Sense: Contemporary Readings in Sensory Culture.
Arden Shakespeare Intersections.
Bloomsbury Publishing, London, United Kingdom, pp. 245-268.
ISBN 978-1-4742-7323-7
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2020)
'The end of all': how a forgotten map helped us forget Newington Butts.
In:
New directions in early modern English drama: edges, spaces, intersections.
Late Tudor and Stuart Drama: Gender, Performance, and Material Culture.
De Gruyter, Berlin / Boston, pp. 151-174.
ISBN 978-1-5015-1821-8
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2019)
Bowen's recesses: from realism to inter-objectivity.
In:
Elizabeth Bowen: theory, thought and things.
Edinburgh University Press, Edinburgh, pp. 127-144.
ISBN 978-1-4744-5864-1
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2019)
Elizabeth Bowen and the pleasure of the text.
In:
Elizabeth Bowen: theory, thought and things.
Edinburgh University Press, Edinburgh, pp. 48-61.
ISBN 978-1-4744-5864-1
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 and Smith, Patricia Juliana, eds.
(2019)
Elizabeth Bowen: theory, thought and things.
Edinburgh University Press, Edinburgh.
ISBN 978-1-4744-5864-1
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 and Smith, Patricia Juliana
(2019)
Introduction: thinking in/about Bowen.
In:
Elizabeth Bowen: theory, thought and things.
Edinburgh University Press, Edinburgh, pp. 1-8.
ISBN 978-1-4744-5864-1
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2019)
Unique lines and the ambient heart of Q1 Hamlet.
Critical Survey, 31 (1/2).
pp. 130-143.
ISSN 0011-1570
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2019)
Love, forgery and strange desires: textual editing as research practice.
In:
Publishing and culture.
Cambridge Scholars Publishing, Newcastle Upon Tyne, United Kingdom, pp. 139-153.
ISBN 978-1-5275-2804-8
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615 and Sulway, Nike
ORCID: https://orcid.org/0000-0002-4133-1303
(2019)
The violent pacifist: ethics and disorder in Sarah Waters' The Paying Guests.
English, 68 (260).
pp. 67-88.
ISSN 0013-8215
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2019)
From guilds to state censors: early modern stationers, regulation, and printing plays.
In:
Publishing and culture.
Cambridge Scholars Publishing, Newcastle Upon Tyne, United Kingdom, pp. 260-273.
ISBN 978-1-5275-2804-8
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733 and Heneghan, Marie
(2019)
I 'Believe in Willie Hughes': The Portrait of Mr W.H.
In:
Critical Insights: Oscar Wilde.
Grey House Publishing, Amenia, United States, pp. 160-172.
ISBN 9781642653090
Sulway, Nike ORCID: https://orcid.org/0000-0002-4133-1303
(2019)
Pursuit, willfulness, and the strangeness of strangers.
Journal of the Fantastic in the Arts, 30 (1).
pp. 42-51.
ISSN 0897-0521
Heneghan, Marie (2019) Re-forming faith: idolatry and the Victorian novel. [Thesis (PhD/Research)]
Greatley-Hirsch, Brett and Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2018)
Shakespeare source study in the age of Google: revisiting Greenblatt's elephants and Horatio's ground.
In:
Rethinking Shakespeare source study: audiences, authors, and digital technologies.
Routledge Studies in Shakespeare, 32.
Taylor & Francis (Routledge), New York, United States, pp. 253-278.
ISBN 978-1-138-12307-6
Sulway, Nike ORCID: https://orcid.org/0000-0002-4133-1303
(2018)
David Copperfield by Charles Dickens.
Going Down Swinging.
ISSN 0157-3950
Bedford, Alison M. ORCID: https://orcid.org/0000-0001-6708-9896
(2018)
In Shelley’s wake: tracing two centuries of impact.
[Thesis (PhD/Research)]
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2018)
Shakespeare's lost playhouse: eleven days at Newington Butts.
Routledge Studies in Shakespeare.
Taylor & Francis (Routledge), New York.
ISBN 978-1-138-29633-6
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602 and McInnis, David
(2018)
Thomas Cavendish on the early modern stage.
Notes and Queries.
pp. 1-3.
ISSN 0029-3970
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2018)
Who performed at Newington Butts in 1586?
Early Theatre, 21 (2).
pp. 29-48.
ISSN 1206-9078
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2017)
Remembering the First World War after 9/11: Pat Barker’s life class and Toby’s Room.
In:
Memory and the wars on terror: Australian and British perspectives.
Palgrave Macmillan Memory Studies.
Palgrave Macmillan Ltd., Houndmills, United Kingdom, pp. 111-123.
ISBN 978-3-319-56975-8
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2017)
Hyperaesthesia and futile rage: gender, anxiety and protest in Non-Combatants and Others.
In:
Rose Macaulay, gender, and modernity.
Gender and Genre, 16.
Taylor & Francis (Routledge), United Kingdom, pp. 25-38.
ISBN 978-1-138-20617-5
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2017)
The possibility of saying in the early modern playhouses.
Textual Practice.
pp. 1-16.
ISSN 0950-236X
Bedford, Alison ORCID: https://orcid.org/0000-0001-6708-9896
(2017)
Biography and Beyond: The Reanimation of Mary Shelley.
In:
Recovering History Through Fact and Fiction: Forgotten Lives.
Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 183-193.
ISBN 9781527503250
Goodall, Peter (2017) Creating the French world of the Channel Islands in 'Note Viaer Lingo'. In: Worldmaking: literature, language, culture. FILLM Studies in Language and Literature. John Benjamins Publishing Company, Amsterdam, Philadelphia, pp. 169-178. ISBN 978-90-272-0132-4
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2017)
Pictures of Lyly: digital corruptions and biographical truths.
In:
Recovering history through fact and fiction: forgotten lives.
Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 146-157.
ISBN 978-1-5275-0325-0
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2017)
The two names of Newington Butts.
Shakespeare Quarterly, 68 (2).
pp. 192-198.
ISSN 0037-3222
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2016)
Borrowed robes and garbled transmissions: echoes of Shakespeare's dwarfish thief.
TEXT: Journal of Writing and Writing Courses, Special Issue 36.
pp. 1-17.
ISSN 1327-9556
Sulway, Nike ORCID: https://orcid.org/0000-0002-4133-1303
(2016)
Death, dildoes and daffodils: a winter’s tale [Short story].
TEXT: Journal of Writing and Writing Courses, Special Issue 36.
ISSN 1327-9556
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2016)
Living 'wilfully': the same-sex marriage ceremony of 'Michael Field' by the Smutt River.
Hecate: An Interdisciplinary Journal of Women's Liberation, 41 (1/2).
pp. 116-128.
ISSN 0311-4198
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2016)
Anxious affinities: gender and dereliction in Sarah Waters's neo-forties novels.
In:
Sarah Waters and contemporary feminisms.
Palgrave Macmillan Ltd., Basingstoke, United Kingdom, pp. 81-96.
ISBN 978-1-137-50607-8
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2016)
Caesar in Elsinore and elsewhere: topicality and Roman history.
Early Modern Literary Studies: a Journal of Sixteenth- and Seventeenth-Century English Literature.
pp. 1-17.
ISSN 1201-2459
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2016)
Nowadays: trauma and modernity in Agatha Christie's late Poirot novels.
Clues: a Journal of Detection, 34 (1).
pp. 96-104.
ISSN 0742-4248
Goodall, Peter (2016) Revealing Guernsey's ancient history in fact and fiction. Shima: the International Journal of Research into Island Cultures, 10 (2). pp. 118-128. ISSN 1834-6049
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2016)
The distributed consciousness of Shakespeare's theatre.
In:
Shakespeare and consciousness.
Cognitive Studies in Literature and Performance.
Palgrave Macmillan Ltd., New York, pp. 119-138.
ISBN 978-1-137-59671-0
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2015)
Where is she? Katherine Mansfield and Elizabeth Bowen.
In:
Katherine Mansfield and literary influence.
Edinburgh University Press, Edinburgh, pp. 35-47.
ISBN 9780748694419
Harmes, Marcus and Bladen, Victoria, eds. (2015) Supernatural and secular power in early modern England. Ashgate Publishing, Farnham, Surrey. England . ISBN 978--1472-42940-7
Harmes, Marcus ORCID: https://orcid.org/0000-0002-5104-1967 and Bladen, Victoria
(2015)
The intersections of supernatural and secular power [Introduction].
In:
Supernatural and secular power in early modern England.
Ashgate Publishing, Farnham, Surrey. United Kingdom, pp. 1-14.
ISBN 978-1-4724-2940-7
Malone, Lachlan (2015) Hellish enfleshment: embodying anti-Catholicism in early modern English culture. [Thesis (PhD/Research)]
Harmes, Marcus K. ORCID: https://orcid.org/0000-0002-5104-1967
(2015)
The curse of Frankenstein.
Devil's Advocates.
Columbia University Press (Auteur), Leighton Buzzard, United Kingdom.
ISBN 978-1-906733-85-8
Harmes, Marcus K. ORCID: https://orcid.org/0000-0002-5104-1967
(2014)
Doctor Who and the art of adaptation: fifty years of storytelling.
Science Fiction Television.
Rowman & Littlefield Education, Lanham, MD, USA.
ISBN 978-1-4422-3284-6
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2014)
Elizabeth Bowen and the writing of trauma: the ethics of survival.
Costerus New Series 202.
Rodopi, Amsterdam and New York.
ISBN 978-90-420-3799-1
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2014)
For the sake of the children: class, anxiety and childhood in Barbara Noble's Doreen.
Hecate: An Interdisciplinary Journal of Women's Liberation, 40 (1).
pp. 134-141.
ISSN 0311-4198
Chalk, Darryl ORCID: https://orcid.org/0000-0002-5814-4678
(2014)
Here's a strange alteration: contagion and the mutable mind in Coriolanus.
In:
Shakespeare's Renaissance/Renaissance Shakespeares: Proceedings of the Ninth World Shakespeare Congress.
World Shakespeare Congress Proceedings.
University of Delaware Press, Newark, DE. United States, pp. 68-76.
ISBN 978-1-61149-460-0
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2014)
Quaint knowledge: a 'body-mind' pattern across Shakespeare's career.
In:
Conjunctions of mind, soul and body from Plato to the Enlightenment.
Studies in the History of Philosophy of Mind (15).
Springer, Dordrecht, Germany, pp. 279-301.
ISBN 978-94-017-9071-0
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2014)
'We're all strangers': post-war anxiety in Agatha Christie's The Mousetrap.
Clues: A Journal of Detection, 32 (2).
pp. 115-123.
ISSN 0742-4248
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2013)
The Tain of Hamlet.
Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom.
ISBN 978-1-4438-4769-8
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2013)
Unthinking Hamlet: stage, page, and critical thought.
In:
Teaching Shakespeare beyond the centre: Australasian perspectives.
Palgrave Shakespeare Studies.
Palgrave Macmillan Ltd., Basingstoke, Hants. United Kingdom, pp. 63-74.
ISBN 978-1-137-27506-6
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2013)
The fierce earth: 'Michael Field's' pagan politics.
Hecate: An Interdisciplinary Journal of Women's Liberation, 38 (1/2).
pp. 78-90.
ISSN 0311-4198
Harmes, Marcus ORCID: https://orcid.org/0000-0002-5104-1967
(2013)
Martians, demons, vampires, and vicars: the Church of England in post-war science fiction.
Journal of Religion and Popular Culture, 25 (2).
pp. 217-229.
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2013)
The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic.
Australasian Journal of Victorian Studies, 18 (3).
pp. 99-108.
Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733
(2013)
Twisting Dickens: modding childhood for the steampunk marketplace in Cory Doctorow's 'Clockwork Fagin' (2011).
Australasian Journal of Victorian Studies, 18 (3).
pp. 58-71.
ISSN 1327-8746
Gildersleeve, Jessica, ed. (2013) Victorian vocabularies: refereed proceedings of the 2012 Australasian Victorian studies conference. Macquarie Lighthouse E-book Publishing, Australia. ISBN 9780987161123
Goodall, Peter (2013) Writing the story of the wartime occupation of the Channel Islands. In: Storytelling: critical and creative approaches. Palgrave Macmillan Ltd., London, United Kingdom, pp. 114-123. ISBN 978-1-137-34994-1
Goodall, Peter (2012) Human values in a mass society: a reading of George Orwell's novels. In: What is the human? Australian voices from the humanities. Australian Scholarly Publishing, Melbourne, Australia, pp. 139-153. ISBN 978-1-921875-60-1
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2012)
Disability and gender in the visual field: seeing the subterranean lives of Michael Field's William Rufus (1885).
Victorian Literature and Culture, 40 (1).
pp. 137-152.
ISSN 1060-1503
Harmes, Barbara ORCID: https://orcid.org/0000-0002-5599-4204 and Harmes, Marcus
ORCID: https://orcid.org/0000-0002-5104-1967
(2012)
My secret life and the sexual economy of fin-de-siecle England.
Australasian Journal of Victorian Studies, 17 (1).
pp. 15-26.
ISSN 1327-8746
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2012)
'To pay our wonted tribute,' or topical specificity in Cymbeline.
In: The British World: Religion, Memory, Society, Culture, 2-5 July 2012, Toowoomba, Australia.
Antonio, Amy (2012) Women and the gaze: sexual knowledge and the fatal woman in The Changeling. In: The British World: Religion, Memory, Society, Culture, 2-5 July 2012, Toowoomba, Australia.
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2011)
Monstrous child: Rosamond Lehmann's war writing.
Philament, 17 (17).
pp. 1-11.
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2011)
Her story: Liza's England (The Century's Daughter).
In:
Re-reading Pat Barker.
Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 25-41.
ISBN 978-1-4438-3441-4
Harmes, Marcus ORCID: https://orcid.org/0000-0002-5104-1967
(2011)
O, let me view his visage, being dead: decapitation and the legitimating of power in early modern England.
In: 1st Shakespearean Reverie Symposium 2011, 6-8 Oct 2011, Toowoomba, Australia.
Judith, Kate ORCID: https://orcid.org/0000-0002-2021-9830
(2011)
The Quiet American.
In:
Encountering conflict.
Smartstudy English Context Guide for English VCE Units 3&4.
National Educational Advancement Programs (Neap) Pty Ltd, Melbourne, Australia, pp. 33-40.
ISBN 978-1-86478-167-0
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2010)
Victorian Maenads: on Michael Field's Callirrhoe and being driven mad.
The Michaelian (2).
pp. 1-10.
Alderdice, Scott and Brodie, Stephen (2010) Busting Shakespeare: the TEL way. In: 2010 International Technology, Education and Development Conference (INTED2010), 8-10 March 2010, Valencia, Spain.
Chalk, Darryl ORCID: https://orcid.org/0000-0002-5814-4678
(2010)
Contagious emulation: antitheatricality and theatre as plague in 'Troilus and Cressida'.
In:
This earthly stage: world and stage in late medieval and early modern England.
Cursor Mundi (13).
Brepols Publishers, Turnhout, Belgium, pp. 75-101.
ISBN 978-2-503-53226-4
Parkes, Geoffrey (2010) Decorating the abyss: crafting a post-holocaust ethics of the self. [Thesis (PhD/Research)]
Timbrell, Daniel (2010) I will fast being loose: gaming and sexual conquest in Love's Labour's Lost. In: Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 49-70. ISBN 978-1-4438-2328-9
Chalk, Darryl ORCID: https://orcid.org/0000-0002-5814-4678 and Johnson, Laurie
ORCID: https://orcid.org/0000-0002-2408-0602
(2010)
Rapt in secret studies and emergence in Shakespeare studies [Introduction].
In:
Rapt in secret studies: emerging Shakespeares.
Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 1-8.
ISBN 978-1-4438-2328-9
Chalk, Darryl and Johnson, Laurie, eds. (2010) Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom. ISBN 978-1-4438-2328-9
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2010)
Shakespeare's gifts: self-fashioning, authorising, Stephen Greenblatt.
In:
Rapt in secret studies: emerging Shakespeares.
Cambridge Scholars Publishing, Newcastle upon Tyne, United Kigndom, pp. 329-346.
ISBN 978-1-4438-2328-9
Judith, Kate ORCID: https://orcid.org/0000-0002-2021-9830
(2010)
Spies.
In:
Whose reality?
Smartstudy English Context Guide for English VCE Units 3&4.
National Educational Advancement Programs (Neap) Pty Ltd, Melbourne, Australia, pp. 16-23.
ISBN 978-1-86478-161-8
Chalk, Darryl ORCID: https://orcid.org/0000-0002-5814-4678
(2010)
To creep in at mine eyes: theatre and secret contagion in Twelfth Night.
In:
Rapt in secret studies: emerging Shakespeares.
Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 171-193.
ISBN 978-1-4438-2328-9
Timbrell, Daniel (2010) When I am in game, I am furious: gaming and sexual conquest in early modern English drama. [Thesis (PhD/Research)]
Goodall, Peter (2010) Writing the literary history of the Channel Islands. In: 6th International Small Island Cultures Conference (ISIC6), 22-25 Jun 2010, Guernsey.
Chalk, Darryl ORCID: https://orcid.org/0000-0002-5814-4678
(2009)
A nature but infected: plague and embodied transformation in Timon of Athens.
Early Modern Literary Studies (19).
9.1-28.
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2009)
Differing returns: on history, bodies and early modern lives.
Early Modern Literary Studies (Specia).
14.1-14.9.
ISSN 1201-2459
Johnson, Laurie ORCID: https://orcid.org/0000-0002-2408-0602
(2009)
Nobler in the mind: the emergence of early modern anxiety.
AUMLA: Journal of the Australasian Universities Language and Literature Association.
pp. 141-156.
ISSN 0001-2793
Goodall, Peter, ed. (2009) Chaucer's Monk's Tale and Nun's Priest's Tale: an annotated bibliography 1900 to 2000. The Chaucer Bibliographies. University of Toronto, Toronto, Canada. ISBN 978-08020-9320-2
Goodall, Peter (2009) Chaucer's Monk's Tale and Nun's Priest's Tale: an annotated bibliography 1900 to 2000 [Introduction]. In: Chaucer's Monk's Tale and Nun's Priest's Tale: an annotated bibliography 1900 to 2000. Chaucer Bibliographies. University of Toronto Press, Toronto, Canada, xix-xlviii. ISBN 978-0-8020-9320-2
Gildersleeve, Jessica ORCID: https://orcid.org/0000-0001-7694-5615
(2009)
Regarding violence in Pat Barker's Double Vision.
Peer English, 4.
pp. 32-46.
Goodall, Peter (2008) The rock whence ye are hewn: the book of Ebenezer Le Page and Guernsey literature and history. Modern Language Review, 103 (1). pp. 22-34. ISSN 0026-7937
Bickle, Sharon ORCID: https://orcid.org/0000-0001-7151-3733
(2008)
Finding love in the archives: editing the 'lost' love letters of 'Michael Field'.
In:
Lifewriting annual: Biographical and autobiographical studies.
Lifewriting Annual, 2.
AMS Press, New York, pp. 73-91.
ISBN 9780404634223
Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733 and Field, Michael
(2008)
The fowl and the pussycat: Love letters of Michael Field, 1876-1909.
[A Creative/Applied Media collection]
Goodall, Peter (2007) The Spell of Sarnia: fictional representations of the island of Guernsey. Shima: the International Journal of Research into Island Cultures, 1 (2). pp. 59-69. ISSN 1834-6049
Judith, Kate ORCID: https://orcid.org/0000-0002-2021-9830
(2007)
Omagh.
In:
Encountering conflict.
Smartstudy English Context Guide for English VCE Units 3&4.
National Educational Advancement Programs (Neap) Pty Ltd, Melbourne, Australia, pp. 9-22.
ISBN 978-1-86478-132-8
Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733
(2007)
Rethinking Michael Field: The case for the Bodleian letters.
In:
Michael Field and Their World.
Rivendale Press, United Kingdom, pp. 39-47.
ISBN 9781904201083
Bickle, Sharon A. ORCID: https://orcid.org/0000-0001-7151-3733
(2006)
'Kick [ing] against the pricks': Michael Field's Brutus Ultor as manifesto for the 'new woman'.
Nineteenth Century Theatre and Film, 33 (2).
pp. 12-29.
ISSN 1748-3727
Goodall, Peter (2006) The author in the study: self-representation as reader and writer in the medieval and early modern periods. In: Early modern autobiography: theories, genres, practices. University of Michigan Press, Ann Arbor, MI. United States, pp. 104-114. ISBN 978-0-472-09928-3
Herbertson, Ian Richard (2006) Working-class writing and Americanisation debates in Britain and Australia: 1950-1965. [Thesis (PhD/Research)]
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