Browse by Fields of Research (ANZSRC 2008)

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Number of items at this level: 37.

Gildersleeve, Jessica ORCID: and McDonald, Janet ORCID: (2022) Barracuda’s Freak Bodies and Elite Swimming in Australia. Journal of Australian Studies, 46 (1). pp. 98-111. ISSN 1444-3058

Monley, Tim and Carter, Justin and Carter, Chris ORCID: (2021) Alt-AR. [A Theatre collection]

Krause, Amanda E. and Forbes, Melissa ORCID: (2021) Socio-cultural influences on Australian adults’ musical identities. In: 16th International Conference on Music Perception and Cognition jointly organised with the 11th Triennial Conference of ESCOM (ESCOM-ICMPC 2021), 28-31 July 2021, Australia.

Burton, David ORCID: and Palani, Ari and Monsour, Aleea (2021) The Time Is Now. [A Theatre collection]

Forbes, Melissa ORCID: (2021) 'We’re pushing back': group singing, social identity and caring for a spouse with Parkinson’s. Psychology of Music, 49 (5). pp. 1199-1214. ISSN 0305-7356

Forbes, Melissa ORCID: and Bartlett, Irene (2020) 'It's much harder than I thought': facilitating a singing group for people with Parkinson's disease. International Journal of Community Music, 13 (1). pp. 29-47. ISSN 1752-6299

Hay, Chris and Carniel, Jessica, eds. (2019) Eurovision and Australia: interdisciplinary Perspectives from Down Under. Palgrave Macmillan Ltd., Cham, Switzerland. ISBN 978-3-030-20057-2

Forbes, Melissa ORCID: and Bartlett, Irene (2019) Facilitating singing groups for people with Parkinson's disease. In: 2019 Pan European Voice Conference (PEVOC 13), 27-30 Aug 2019, Copenhagen, Denmark.

Scholtes, Mark ORCID: and Batorowicz, Beata ORCID: (2019) Practice-led research and the myth of rigour. NiTRO: Non Traditional Research Outcomes (23). pp. 1-4.

McDonald, Janet ORCID: and Alderdice, Scott and Cutcliffe, Katrina (2019) The clown and the king: undergraduate actor training and wellbeing. Theatre, Dance and Performance Training, 10 (1). pp. 68-84. ISSN 1944-3927

Baker, Dallas ORCID: (2018) Ghosts of Leigh. [A Theatre collection]

Olsen, Shayla (2017) Playgrounds for publishing: writers in established story universes. Coursework Masters thesis, University of Southern Queensland. (Unpublished)

Baguley, Margaret ORCID: and Kerby, Martin ORCID: (2017) Remembrance of things past: historical commemoration in an educational setting. In: The Palgrave handbook of global arts education. Palgrave Macmillan Ltd., Basingstoke, United Kingdom, pp. 361-380. ISBN 978-1-137-55584-7

Jones, Janice and Jones, Janice and Jones, Janice (2016) 13 Moons: A Story of Ashes, Blood, Light. In: 7th International Metabody Forum (2016), 4 - 9 Apr, 2016, London, United Kingdom.

Baker, Dallas J. ORCID: (2015) Self-publishing matters – don’t let anyone tell you otherwise. The Conversation, 13 March 2015. pp. 1-5.

Baker, Dallas J. ORCID: (2015) We need creative teaching to teach creativity. The Conversation, 28 January 2015. pp. 1-3.

Baker, Dallas J. ORCID: and Brien, Donna Lee and Webb, Jen and Hawryluk, Lynda (2014) University writing programs deliver, so let’s turn the page. The Conversation, 7 November 2014. pp. 1-5.

Sulway, Nike ORCID: (2014) Death, dildoes and daffodils: a queer winter's tale. In: 12th Biennial International Conference of the Australian and New Zealand Shakespeare Association (ANZSA 2014): Shakespearean Perceptions, 2-4 Oct 2014, Toowoomba, Australia.

Gehrmann, Richard ORCID: (2014) Entertaining Australian troops at war in Afghanistan and Iraq. Popular Entertainment Studies, 5 (1). pp. 128-143.

Gearing, Phillip John and Forbes, Melissa ORCID: (2013) Creating a functional musician: a performance workshop model. The International Journal of Arts Education, 7 (3). pp. 39-46. ISSN 2326-9944

Batorowicz, Beata ORCID: and Williams, Megan and Klos, Agnieszka and Ludwiczak, Beata and Stringer, Richard and Franzidis, Evie and Stubbs, Katrina and Van Ooyen, Vanessa (2012) Tales within historical spaces (bilingual artist book). [A Creative/Applied Media collection]

Alderdice, Scott (2011) A Midsummer Night's Dream: how to incorporate music into text without creating a musical. [A Theatre collection]

Parker, Alysson B. (2010) This narrative is no fiction: mapping cultural expressions of post-traumatic slave disorder. [Thesis (PhD/Research)]

Hume, Margee and Sullivan-Mort, Gillian (2010) Uniting the service trinity in non-profit community organisations: a sequence of studies, reflections and implications for theory and practice in the performing arts. In: Handbook of business and finance: multinational companies, venture capital and non-profit organizations. Businness Issues, Competition and Entrepeneurship. Nova Science Publishers, Inc., New York, NY. United States, pp. 79-99. ISBN 978-1-606-92855-4

Hume, Margee (2009) Repurchase intent in the experiential context: using an operations and marketing perspective to invesitgate the cultural performing arts. [Thesis (PhD/Research)]

Alderdice, Scott (2008) Working with Shakespeare. [A Theatre collection]

Scollen, Rebecca J. ORCID: (2008) Regional voices talk theatre: audience development for the performing arts. International Journal of Nonprofit and Voluntary Sector Marketing, 13 (1). pp. 45-56. ISSN 1465-4520

Gearing, Phillip John (2008) The evaluation of a tertiary-level distance-mode aural training programme. [Thesis (PhD/Research)]

Hume, Margee (2008) Developing a conceptual model for repurchase intention in the performing arts: the roles of emotion, core service and service delivery. International Journal of Arts Management, 10 (2). pp. 40-55. ISSN 1480-8986

Hume, Margee and Sullivan Mort, Gillian (2008) Understanding the role of involvement in customer repurchase of the performing arts. Journal of Nonprofit and Public Sector Marketing, 20 (2). pp. 299-328. ISSN 1049-5142

Ballantyne, Julie (2007) Documenting praxis shock in early-career Australian music teachers: the impact of pre-service teacher education. International Journal of Music Education: Practice, 25 (3). pp. 181-191.

Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) A great show alone won't bring them back. In: VIth International Congress on Public and Non-profit Marketing (AIMPN2007), 14-15 June 2007, Braga, Portugal.

Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) Exploring repurchase intention in a performing arts context: who comes? And why do they come back? International Journal of Nonprofit and Voluntary Sector Marketing, 12 (2). pp. 135-148. ISSN 1465-4520

Hume, Margee and Sullivan Mort, Gillian and Liesch, Peter and Winzar, Hume (2006) Understanding service experience in non-profit performing arts: implications for operations and service management. Journal of Operations Management, 24 (4). pp. 304-324. ISSN 0272-6963

Hume, Margee and Sullivan Mort, Gillian and Winzar, Hume (2006) If the show must go on ..... don't neglect the service! Journal of Management and World Business Research, 3 (1). pp. 81-119. ISSN 1449-3179

Scollen, Rebecca J. ORCID: (2005) Talking theatre: can we turn 'non-theatregoers' into paying audiences? Artreach: the Regional Arts NSW Quarterly Magazine, Autumn. pp. 12-13. ISSN 1442-1151

Scollen, Rebecca ORCID: (1999) Understanding new audiences: an audience reception study of 'non-theatregoers' attending La Boite Theatre Company's 1998 season. In: Australasian Drama Studies Association Annual Conference (ADSA 1999): Industrial Relations, 5-9 Jul 1999, Brisbane, Australia.

This list was generated on Wed Aug 17 06:51:11 2022 AEST.