Browse by Fields of Research (ANZSRC 2008)

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Number of items at this level: 44.

Sparkes, Daryl ORCID: (2021) 30 years since The Addams Family hit the big screen, it is still the perfect blend of horror and comedy. The Conversation, 16 December 2021.

Maddock, Daniel (2021) What Is Cinematography in the Age of Virtual Film Production? Posing a New Definition for the Practice of Cinematography. Journal of Film and Video, 73 (4). pp. 44-58. ISSN 0742-4671

Sparkes, Daryl ORCID: (2021) Marvel’s Black Widow has been handed to a small independent Aussie director. And she’s the perfect fit. The Conversation, 7 July 2021.

Sparkes, Daryl ORCID: (2021) Bring out the popcorn: the best films set to roar into cinemas in the second half of 2021. The Conversation, 1 June 2021.

Maddock, Daniel (2021) Editorial. Cinematography in Progress, 1 (1). pp. 1-5. ISSN 2684-3994

McWilliam, Kelly ORCID: and Ryan, Mark David (2021) Australian genre film. Routledge Advances in Film Studies. Taylor & Francis (Routledge), New York. ISBN 978-1-138-60314-1

Ryan, Mark David and McWilliam, Kelly ORCID: (2021) Australian genre film studies. In: Australian genre film. Routledge Advances in Film Studies. Taylor & Francis (Routledge), New York, pp. 1-25. ISBN 978-1-138-60314-1

McWilliam, Kelly ORCID: (2021) Courting the romance film. In: Australian genre film. Routledge Advances in Film Studies. Taylor & Francis (Routledge), New York, pp. 138-152. ISBN 978-1-138-60314-1

McWilliam, Kelly ORCID: (2021) ‘Growing up was never easy’: coming of age in the teen film. In: Australian genre film. Routledge Advances in Film Studies. Taylor & Francis (Routledge), New York, pp. 170-185. ISBN 978-1-138-60314-1

Sparkes, Daryl ORCID: (2021) Baz Luhrmann’s Romeo + Juliet at 25: is this the best Shakespeare screen adaptation? The Conversation, 11 February 2021.

Maddock, Daniel (2021) Virtually Real: Cinematographic Verisimilitude within the Construct of Artistic Referentiality. Quarterly Review of Film and Video, 38 (1). pp. 61-83. ISSN 1050-9208

Sparkes, Daryl ORCID: (2020) Home Alone at 30: how one case of parental neglect led to (hilariously) painful outcomes. The Conversation, 2 December 2020.

Sparkes, Daryl ORCID: (2020) 10 years on, Inception remains Christopher Nolan’s most complex and intellectual film. The Conversation, 20 August 2020. pp. 1-4.

Maddock, Daniel and Redulla, Monique (2019) The tenth muse: the art of visual film making. Australian Art Education, 40 (2). pp. 207-224. ISSN 1032-1942

Maddock, Daniel (2019) USQ Homepage Website. [A Creative/Applied Media collection]

Maddock, Daniel (2019) Combat cinematography: interpreting the cinematographic form of combat realism. In: The Palgrave handbook of artistic and cultural responses to war since 1914: the British Isles, the United States and Australasia. Palgrave Macmillan Ltd., Cham, Switzerland, pp. 447-465. ISBN 978-3-319-96985-5

Maddock, Daniel (2018) Reframing cinematography: interpreting cinematography in an emerging virtual practice. [Thesis (PhD/Research)]

Maddock, Daniel (2018) Uncomposed: unconventional cinematographic composition in cinema and television. Australian Art Education, 39 (2). pp. 268-287. ISSN 1032-1942

Maddock, Daniel (2018) Reframing cinematography. Media Practice and Education, 20 (1). pp. 44-66. ISSN 2574-1136

Maddock, Daniel (2018) Re-framing cinematography: should we re-define our practice. Australian Cinematographer, 1 (77). pp. 64-65.

McWilliam, Kelly ORCID: (2017) Girl meets girl: sexual sitings in lesbian romantic comedies. In: Intimate relationships in cinema, literature and visual culture. Palgrave Macmillan Ltd., London, United Kingdom, pp. 145-155. ISBN 978-3-319-55281-1

Gildersleeve, Matthew (2017) Se Faire Voir with Jung and the ethics of psychoanalysis. Social Sciences, 6 (1):16. pp. 1-24.

Beattie, Debra and Maddock, Daniel Owen (2016) Virtual historical reality: verisimilitude and the history documentary. In: ASPERA Annual Conference 2016: Screen Production Research: The Big Questions, 5-7 July 2016, Canberra, Australia.

Gildersleeve, Matthew (2016) American Psycho [Film review]. Philosophy Now, 113. pp. 48-49. ISSN 0961-5970

McWilliam, Kelly ORCID: (2016) Digital storytelling as 'national cinema'? Continuum: Journal of Media and Cultural Studies, 30 (6). pp. 706-713. ISSN 1030-4312

Sulway, Nike ORCID: (2015) Death and the M(AI)den. In: Death, Dying and the Undead: Inaugural Conference of the Australian Death Studies Network, 12 Oct 2015, Noosa, Australia.

Maddock, Daniel (2015) Cinematic evolution: what can history tell us about the future? In: CreateWorld 2015: A Digital Arts Conference, 12-13 Feb 2015, Griffith Film School, Brisbane, Australia.

Harmes, Marcus K. ORCID: (2015) The curse of Frankenstein. Devil's Advocates. Columbia University Press (Auteur), Leighton Buzzard, United Kingdom. ISBN 978-1-906733-85-8

Graetz, Dan and Maddock, Daniel (2014) She Only Loves Me When I'm There - Ball Park Music. [A Creative/Applied Media collection]

O'Halloran, Michael and Maddock, Daniel (2014) Break the rock [Short drama]. [A Creative/Applied Media collection]

Calder, Thomas and Calder, Joshua and Julia, Grace and Maddock, Daniel (2014) The Great Champ Fernley. [A Creative/Applied Media collection]

Calder, Josh and Calder, Thomas and Maddock, Daniel (2014) The Trouble with Templeton - Heavy Lifting [Music Video]. [A Creative/Applied Media collection]

Harmes, Marcus K. ORCID: (2013) The seventeenth century on film: patriarchy, magistracy and witchcraft in British horror films, 1968-1971. Canadian Journal of Film Studies, 22 (2). pp. 64-80. ISSN 0847-5911

Maddock, Daniel (2013) Love patrol. Australian Cinematographer, 1 (57). pp. 20-24.

Hourigan, Daniel ORCID: (2013) Ghost in the Shell 2, technicity and the subject. Film-Philosophy, 17 (1). pp. 51-67.

Hourigan, Daniel ORCID: (2011) Cinema. In: Encyclopedia of consumer culture. Sage Publications, Thousand Oaks, CA. United States, pp. 163-165. ISBN 978-0-8728-9601-7

McWilliam, Kelly ORCID: (2009) Star struck: fandom and the discourse of celebrity. In: Screen media: analysing film and television. Allen & Unwin, Sydney, Australia, pp. 245-271. ISBN 978-1-74175-448-3

McDonald, Lisa (2008) Baroque inclinations [Book review]. Cultural Studies Review, 14 (2). pp. 210-214. ISSN 1446-8123

McVeigh, Kathryn Margaret (2008) Mosaic narrative a poetics of cinematic new media narrative. [Thesis (PhD/Research)]

Huijser, Hendrik and Collins-Gearing, Brooke (2007) Representing indigenous stories in the cinema: between collaboration and appropriation. International Journal of Diversity in Organisations, Communities and Nations, 7 (3). pp. 1-9. ISSN 1447-9532

Mason, Andrew (2006) Empire histories: the commodity of nostalgia. In: FHAANZ 2006: Telling Stories: Cinema, History and Experience , 16-19 Nov 2006, Melbourne, Australia.

Huijser, Hendrik (2005) Negotiating multicultural difference in a bicultural nation: a focused case study. In: The Body Politic: Racialised Political Cultures in Australia, 24-26 Nov 2004, Brisbane, Australia.

Huijser, Hendrik (2005) Representing multiculturalism in a bicultural nation: the question of diversity in New Zealand cinema. International Journal of Diversity in Organisations, Communities and Nations, 4:DC04-0045-2004. pp. 395-401. ISSN 1447-9583

Johnson, Laurie (2001) Sick puppies and other unbecoming things. M/C Journal: A Journal of Media and Culture, 4 (3).

This list was generated on Fri Jan 21 06:22:24 2022 AEST.