On how the Viagra of the contemporary can inflate the flaccid remnants of the past

Mee, Simon (2016) On how the Viagra of the contemporary can inflate the flaccid remnants of the past. In: 2015 Drawing International Brisbane Symposium: Ego, Artefact, Arena (DIB 2015), 30 Sept - 2 Oct 2015, Brisbane, Australia .

Abstract

Drawing upon the artefact of the past: How the contemporary visual artists are simultaneously haunted by the past and its legacy of trauma and conflict while the present frees them to use history as a vehicle for discourse as demonstrated in the drawings of Michael Borremans.


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Item Type: Conference or Workshop Item (Commonwealth Reporting Category E) (Paper)
Refereed: Yes
Item Status: Live Archive
Additional Information: c. Griffith Centre for Creative Arts Research.
Faculty / Department / School: Current - Faculty of Business, Education, Law and Arts - School of Arts and Communication
Date Deposited: 12 Jun 2017 01:28
Last Modified: 30 Oct 2017 00:19
Uncontrolled Keywords: contemporary visual artists; Michael Borremans
Fields of Research : 19 Studies in Creative Arts and Writing > 1901 Art Theory and Criticism > 190103 Art Theory
Socio-Economic Objective: C Society > 95 Cultural Understanding > 9501 Arts and Leisure > 950104 The Creative Arts (incl. Graphics and Craft)
URI: http://eprints.usq.edu.au/id/eprint/31097

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