Malone, Lachlan (2015) Hellish enfleshment: embodying anti-Catholicism in early modern English culture. [Thesis (PhD/Research)]
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Abstract
This dissertation focuses on a term that I call “hellish enfleshment”: early modern English descriptions of Catholicism that connect anti-papal sentiment to the human
body. I examine this term in the work of preachers, poets, political writers, monarchs, and playwrights who not only approach anti-Catholic discourse through corporeal
metaphors, but also attempt to link Catholicism with malevolence, disease, political dissension, and discordant sound. Exploring the significance of the human body in
anti-papal writing, I investigate how a range of early modern texts located in differing spheres enflesh dramatists’ conceptions of the Catholic body in their immediate historical setting. The embodiment of anti-Catholic discourse, I argue, occurs within
the early modern English playhouse, as it is in this locale that playwrights attempt to affect playgoers’ bodies through sensory phenomena inexorably shaped by
contemporary anti-Catholic attitudes. Examining several dramas that explicitly embody anti-papal discourse, the majority of this thesis analyses texts that engage
with early modern corporeality through literal and metaphoric allusions to the body: Barnabe Barnes’s The Devil’s Charter (1607), Thomas Dekker’s The Whore of
Babylon (1606), the anonymous Lust’s Dominion (c. 1600), and Shakespeare’s Hamlet (c. 1600). These plays, I argue, engage with the human body or reflect on its
role in regard to fashioning anti-Catholic sentiment. Throughout this thesis, I attempt to examine discrete moments and cultural idiosyncrasies in these playtexts, utilizing contemporary religious, medical, and political works to investigate the experiential qualities of an anti-Catholic discourse whilst contextualizing this evidence through references to early modern literature. Rather than analyse Catholicism as an international religio-political institution in early modern England, I have chosen
instead to examine Catholicism as a domestic phenomenon in the imagination of English playwrights.
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| Item Type: | Thesis (PhD/Research) |
|---|---|
| Item Status: | Live Archive |
| Additional Information: | Doctor of Philosophy (PhD) thesis. |
| Faculty/School / Institute/Centre: | Historic - Faculty of Business, Education, Law and Arts - School of Arts and Communication (1 Jul 2013 - 28 Feb 2019) |
| Faculty/School / Institute/Centre: | Historic - Faculty of Business, Education, Law and Arts - School of Arts and Communication (1 Jul 2013 - 28 Feb 2019) |
| Supervisors: | Chalk, Darryl |
| Date Deposited: | 10 Nov 2015 02:33 |
| Last Modified: | 04 Apr 2017 08:44 |
| Uncontrolled Keywords: | hellish enfleshment; human body; anti-Catholicism; literature |
| Fields of Research (2008): | 20 Language, Communication and Culture > 2005 Literary Studies > 200503 British and Irish Literature 22 Philosophy and Religious Studies > 2204 Religion and Religious Studies > 220405 Religion and Society |
| URI: | http://eprints.usq.edu.au/id/eprint/28029 |
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