Akenson, David (2014) Dan Elborne's brutal beauty. Ceramics Art and Perception, 24 (95). pp. 36-39. ISSN 1035-1841
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Text (Accepted Version)
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Official URL: http://ceramicart.com.au
Abstract
In this paper I give a critical account of the work of young Australian artist Dan Elborne. Drawing on the critical theory of Immanuel Kant, Walter Benjamin and others, I suggest that Dan Elborne's on-going project,500, brings together what critical theory and critical practice often treat as separate: beauty and the sublime. I argue that the deployment of the two seemingly opposed categories best explain the complex mix of aesthetics and politics in Elborne's art.
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Statistics for this ePrint Item |
| Item Type: | Article (Commonwealth Reporting Category C) |
|---|---|
| Refereed: | No |
| Item Status: | Live Archive |
| Additional Information: | No evidence of copyright restrictions for Accepted Version. |
| Faculty/School / Institute/Centre: | Historic - Faculty of Business, Education, Law and Arts - School of Arts and Communication (1 Jul 2013 - 28 Feb 2019) |
| Faculty/School / Institute/Centre: | Historic - Faculty of Business, Education, Law and Arts - School of Arts and Communication (1 Jul 2013 - 28 Feb 2019) |
| Date Deposited: | 03 Oct 2014 04:24 |
| Last Modified: | 03 Oct 2014 04:45 |
| Uncontrolled Keywords: | beauty; sublime; Kant; Elborne; politics |
| Fields of Research (2008): | 19 Studies in Creative Arts and Writing > 1901 Art Theory and Criticism > 190101 Art Criticism 19 Studies in Creative Arts and Writing > 1905 Visual Arts and Crafts > 190502 Fine Arts (incl. Sculpture and Painting) 19 Studies in Creative Arts and Writing > 1901 Art Theory and Criticism > 190103 Art Theory |
| URI: | http://eprints.usq.edu.au/id/eprint/26122 |
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