Johnson, Laurie (1999) Felix and Gilles's tempestuous, monstrous machine. M/C Journal: A Journal of Media and Culture, 2 (6).
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Official URL: http://journal.media-culture.org.au/9909/monster.p...
Abstract
The concept of the machine circulates in the work of Gilles Deleuze and Felix Guattari in highly abstracted terms, yet they frequently maintained that it was not to be understood as a metaphor. This paper draws on the example of the film Forbidden Planet to explore the potential for cinematic representation to convey the terms under which Deleuze and Guattari ask us to imagine the machinic complex.
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Item Type: | Article (Commonwealth Reporting Category C) |
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Refereed: | Yes |
Item Status: | Live Archive |
Additional Information: | This article was first published in M/C Journal (http://media-culture.org.au/). Deposited in accordance with the copyright policy of the publisher. Author retains copyright. |
Faculty/School / Institute/Centre: | Historic - Faculty of Arts - No Department (Up to 30 Jun 2013) |
Faculty/School / Institute/Centre: | Historic - Faculty of Arts - No Department (Up to 30 Jun 2013) |
Date Deposited: | 11 Oct 2007 00:59 |
Last Modified: | 05 Nov 2019 05:24 |
Uncontrolled Keywords: | Felix Guattari, Gilles Deleuze, Forbidden Planet, machine, William Shakespeare, The Tempest |
Fields of Research (2008): | 20 Language, Communication and Culture > 2005 Literary Studies > 200503 British and Irish Literature 20 Language, Communication and Culture > 2005 Literary Studies > 200525 Literary Theory 20 Language, Communication and Culture > 2002 Cultural Studies > 200204 Cultural Theory 20 Language, Communication and Culture > 2002 Cultural Studies > 200212 Screen and Media Culture |
URI: | http://eprints.usq.edu.au/id/eprint/2198 |
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