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Browse by Socio-Economic Objective (ANZSRC 2008)
Number of items at this level: 18.
Smalley, Michael (2012) Unity, contrast and topology as the three coordinates of scenography. In: Compass Points: The Locations, Landscapes and Coordinates of Identities, Australasian Association for Drama Theatre & Performance Studies (ADSA) 2012 Conference, 3-6 Jul 2012, Brisbane, Australia.
Alderdice, Scott and Taylor-Smith, Carol and Chalmers, Morgan and Chalmers, Morgan and Strahan, Christine and Poulton, Nigel and Andrews, Ben and Lyons, Katie and Janowicz, Sasha and O'Rourke, Lauren and Ellis, Hannah and Hunter, Christopher and Murphy, Kate and Curtin, Emily and Haegler, Shannon Shaniel and Raaen, Samantha and Fox, Lucy and Trenerry, Laura and Warburton, Toby and Widt, Jordana and Strambini, Jemima and Hillocks, Kate and Schwenke, Laura and MacDonald, Andrew and Smalley, Michael and Horstman, Bob and Panitz, Timothy and Howarth-Crewdson, Shane and Pawlyszyn, Tonia and Barlow, Maddie and Schutt, Jess and Fry, Linda and Joyce, MJ and Nicholls, Riley and Williams, Sarah and Ascough, Ash and Collard, Greg and Di Pompo, Luisa and Linde, Tammy and Thomas, JT and Curran, Alyce and Hurst, Katie and Pirie, Steve and Blewonski, Fallon and Oborn, Marcus and Slade, Jai and Van Prooyen, Deanne and Webb, Jess and Kollasch, Sam and Woodcock, Anneke and Wedmaier, Jeanette (2011) Shakespeare in the Park: A Midsummer Night's Dream. [A Theatre collection]
Chalk, Darryl (2010) Contagious emulation: antitheatricality and theatre as plague in 'Troilus and Cressida'. In: Hirsch, Brett D. and Wortham, Christopher, (eds.) This earthly stage: world and stage in late medieval and early modern England. Cursor Mundi (13). Brepols Publishers, Turnhout, Belgium, pp. 75-101. ISBN 978-2-503-53226-4
Chalk, Darryl (2010) To creep in at mine eyes: theatre and secret contagion in Twelfth Night. In: Chalk, Darryl and Johnson, Laurie, (eds.) Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 171-193. ISBN 978-1-4438-2328-9
Chalk, Darryl (2009) A nature but infected: plague and embodied transformation in Timon of Athens. Early Modern Literary Studies, Special Issue 19: Embodying Shakespeare . 9.1-28.
Stadler, Jane and McWilliam, Kelly (2009) Screen media: analysing film and television. Allen & Unwin, Sydney, Australia. ISBN 978-1-74175-448-3
Scollen, Rebecca (2009) Talking theatre is more than a test drive: two audience development methodologies under review. International Journal of Arts Management, 12 (1). pp. 4-13. ISSN 1480-8986
Anae, Nicole (2008) Poses, plastiques: the art and style of 'statuary' in Victorian visual theatre. Australasian Drama Studies (52). pp. 112-130. ISSN 0810-4123
Scollen, Rebecca J. (2008) Regional voices talk theatre: audience development for the performing arts. International Journal of Nonprofit and Voluntary Sector Marketing, 13 (1). pp. 45-56. ISSN 1465-4520
Hume, Margee (2008) Developing a conceptual model for repurchase intention in the performing arts: the roles of emotion, core service and service delivery. International Journal of Arts Management, 10 (2). pp. 40-55. ISSN 1480-8986
Anae, Nicole (2007) 'Belly-speakers', machines and dummies: puppetry in the Australian colonies, 1830s-1850s. Australasian Drama Studies (51). pp. 35-56. ISSN 0810-4123
McDonald, Janet (2007) Living data in the Lower Balonne: cultural enablement or cultural imposition? Studies in Learning, Evaluation, Innovation and Development, 4 (1). pp. 79-90. ISSN 1832-2050
Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) A great show alone won't bring them back. In: VIth International Congress on Public and Non-profit Marketing (AIMPN2007), 14-15 June 2007, Braga, Portugal.
McDonald, Janet (2007) Boys at gender-play inside the muscular Christian ideal. Thymos: journal of boyhood studies, 1 (1). pp. 84-94. ISSN 1931-9045
Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) Exploring repurchase intention in a performing arts context: who comes? And why do they come back? International Journal of Nonprofit and Voluntary Sector Marketing, 12 (2). pp. 135-148. ISSN 1465-4520
McDonald, Janet (2007) Queering the representation of the masculine 'West' in Ang Lee's Brokeback Mountain. Gay and Lesbian Issues and Psychology Review, 3 (2). pp. 79-85. ISSN 1833-4512
McDonald, Janet (2006) Balancing the 'town and gown': the risky business of creating youth theatre in regional Queensland. International Journal of Pedagogies and Learning, 2 (2). pp. 6-13. ISSN 1833-4105
McDonald, Janet (2006) Playful trangressions: male drama teachers in elite boys' schools. In: Kiernander, Adrian and Bollen, Jonathan and Parr, Bruce, (eds.) What a man's gotta do?: masculinities in performance. University of New England, School of Arts, Centre for Australian Language, Literature, Theatre and Screen Studies, Armidale, NSW, Australia, pp. 136-151. ISBN 1921208023