Browse by Socio-Economic Objective (ANZSRC 2008)

Up a level
Export as [feed] RSS 1.0 [feed] RSS 2.0
Number of items at this level: 26.

Meenach, Bernadette and Dwyer, Patrick and Chalmers, Morgan (2013) Ms Garland at Twilight. [A Theatre collection]

Sparkes, Daryl J. (2013) Magnate (television script). [A Creative/Applied Media collection]

Smalley, Michael (2012) Unity, contrast and topology as the three coordinates of scenography. In: Compass Points: The Locations, Landscapes and Coordinates of Identities, Australasian Association for Drama Theatre & Performance Studies (ADSA) 2012 Conference, 3-6 Jul 2012, Brisbane, Australia.

Phillip, Gearing (2012) Sara Macliver & The Camerata. [A Music collection]

Alderdice, Scott and Taylor-Smith, Carol and Chalmers, Morgan and Strahan, Christine and Poulton, Nigel and Andrews, Ben and Lyons, Katie and Janowicz, Sasha and O'Rourke, Lauren and Ellis, Hannah and Hunter, Christopher and Murphy, Kate and Curtin, Emily and Haegler, Shannon Shaniel and Raaen, Samantha and Fox, Lucy and Trenerry, Laura and Warburton, Toby and Widt, Jordana and Strambini, Jemima and Hillocks, Kate and MacDonald, Andrew (2011) Shakespeare in the Park: A Midsummer Night's Dream. [A Theatre collection]

Jones, Lewis and Bauer, Russell and Taylor-Smith, Carolyn and Taylor-Smith, Carolyn and Panitz, Timothy and Andrews, Ben and Lee, Kirsty and Corish, Andrea and Walmsley, Kyle and Blackman, Angus and La Burniy, Blake and Franklin, Laurel and Davies, Chloe and Lynch-Blosse, Hannah and Stokes, Aimee and Miller, Emily and Phillippo, Luke and Spiers, Rosie and Harm, Jessica and Curtain, Katy and Curtin, Emily and Swan, Eliza and Baan-Edrich, Cassie and Fischer, Jasmine and Peel, Rachel and Palazzo-Orr, Justin and Fischer, Bill (2010) Shakespeare in the Park: Twelfth Night. [A Theatre collection]

Chalk, Darryl (2010) Contagious emulation: antitheatricality and theatre as plague in 'Troilus and Cressida'. In: This earthly stage: world and stage in late medieval and early modern England. Cursor Mundi (13). Brepols Publishers, Turnhout, Belgium, pp. 75-101. ISBN 978-2-503-53226-4

Chalk, Darryl (2010) To creep in at mine eyes: theatre and secret contagion in Twelfth Night. In: Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 171-193. ISBN 978-1-4438-2328-9

Chalk, Darryl (2009) A nature but infected: plague and embodied transformation in Timon of Athens. Early Modern Literary Studies, Specia. 9.1-28.

Stadler, Jane and McWilliam, Kelly (2009) Screen media: analysing film and television. Allen & Unwin, Sydney, Australia. ISBN 978-1-74175-448-3

Scollen, Rebecca (2009) Talking theatre is more than a test drive: two audience development methodologies under review. International Journal of Arts Management, 12 (1). pp. 4-13. ISSN 1480-8986

Anae, Nicole (2008) Poses, plastiques: the art and style of 'statuary' in Victorian visual theatre. Australasian Drama Studies (52). pp. 112-130. ISSN 0810-4123

Scollen, Rebecca J. (2008) Regional voices talk theatre: audience development for the performing arts. International Journal of Nonprofit and Voluntary Sector Marketing, 13 (1). pp. 45-56. ISSN 1465-4520

Hume, Margee (2008) Developing a conceptual model for repurchase intention in the performing arts: the roles of emotion, core service and service delivery. International Journal of Arts Management, 10 (2). pp. 40-55. ISSN 1480-8986

Anae, Nicole (2007) 'Belly-speakers', machines and dummies: puppetry in the Australian colonies, 1830s-1850s. Australasian Drama Studies (51). pp. 35-56. ISSN 0810-4123

McDonald, Janet (2007) Living data in the Lower Balonne: cultural enablement or cultural imposition? Studies in Learning, Evaluation, Innovation and Development, 4 (1). pp. 79-90. ISSN 1832-2050

Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) A great show alone won't bring them back. In: VIth International Congress on Public and Non-profit Marketing (AIMPN2007), 14-15 June 2007, Braga, Portugal.

McDonald, Janet (2007) Boys at gender-play inside the muscular Christian ideal. Thymos: journal of boyhood studies, 1 (1). pp. 84-94. ISSN 1931-9045

Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) Exploring repurchase intention in a performing arts context: who comes? And why do they come back? International Journal of Nonprofit and Voluntary Sector Marketing, 12 (2). pp. 135-148. ISSN 1465-4520

McDonald, Janet (2007) Queering the representation of the masculine 'West' in Ang Lee's Brokeback Mountain. Gay and Lesbian Issues and Psychology Review, 3 (2). pp. 79-85. ISSN 1833-4512

McDonald, Janet (2006) Balancing the 'town and gown': the risky business of creating youth theatre in regional Queensland. International Journal of Pedagogies and Learning, 2 (2). pp. 6-13. ISSN 1833-4105

McDonald, Janet (2006) Playful trangressions: male drama teachers in elite boys' schools. In: What a man's gotta do?: masculinities in performance. University of New England, School of Arts, Centre for Australian Language, Literature, Theatre and Screen Studies, Armidale, NSW, Australia, pp. 136-151. ISBN 1921208023

Scollen, Rebecca and Martin, Jacqueline and Radbourne, Jennifer and Haseman, Brad (2006) Talking theatre: an audience development programme for regional Queensland and the Northern Territory 2004-2006. Project Report. Queensland University of Technology, Brisbane, Australia.

Copeman, Peter and Scollen, Rebecca (2000) Of training, tokenism and productive misinterpretation: reflections on the After China project. Diaspora: Negotiating Asian Australia (65). pp. 35-43. ISSN 0314-769X

Scollen, Rebecca (1999) Understanding new audiences: an audience reception study of 'non-theatregoers' attending La Boite Theatre Company's 1998 season. In: Australasian Drama Studies Association Annual Conference (ADSA 1999): Industrial Relations , 5-9 Jul 1999, Brisbane, Australia.

Scollen, Rebecca (1998) The valued customer: investigating Brisbane audiences. Ignite, 2. pp. 54-55. ISSN 1441-3191

This list was generated on Fri Jul 25 00:56:10 2014 EST.