Browse by Socio-Economic Objective (ANZSRC 2008)

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Number of items at this level: 21.

Smalley, Michael (2012) Unity, contrast and topology as the three coordinates of scenography. In: Compass Points: The Locations, Landscapes and Coordinates of Identities, Australasian Association for Drama Theatre & Performance Studies (ADSA) 2012 Conference, 3-6 Jul 2012, Brisbane, Australia.

Chalk, Darryl (2010) Contagious emulation: antitheatricality and theatre as plague in 'Troilus and Cressida'. In: This earthly stage: world and stage in late medieval and early modern England. Cursor Mundi (13). Brepols Publishers, Turnhout, Belgium, pp. 75-101. ISBN 978-2-503-53226-4

Chalk, Darryl (2010) To creep in at mine eyes: theatre and secret contagion in Twelfth Night. In: Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 171-193. ISBN 978-1-4438-2328-9

Chalk, Darryl (2009) A nature but infected: plague and embodied transformation in Timon of Athens. Early Modern Literary Studies, Specia. 9.1-28.

Stadler, Jane and McWilliam, Kelly (2009) Screen media: analysing film and television. Allen & Unwin, Sydney, Australia. ISBN 978-1-74175-448-3

Scollen, Rebecca (2009) Talking theatre is more than a test drive: two audience development methodologies under review. International Journal of Arts Management, 12 (1). pp. 4-13. ISSN 1480-8986

Anae, Nicole (2008) Poses, plastiques: the art and style of 'statuary' in Victorian visual theatre. Australasian Drama Studies (52). pp. 112-130. ISSN 0810-4123

Scollen, Rebecca J. (2008) Regional voices talk theatre: audience development for the performing arts. International Journal of Nonprofit and Voluntary Sector Marketing, 13 (1). pp. 45-56. ISSN 1465-4520

Hume, Margee (2008) Developing a conceptual model for repurchase intention in the performing arts: the roles of emotion, core service and service delivery. International Journal of Arts Management, 10 (2). pp. 40-55. ISSN 1480-8986

Anae, Nicole (2007) 'Belly-speakers', machines and dummies: puppetry in the Australian colonies, 1830s-1850s. Australasian Drama Studies (51). pp. 35-56. ISSN 0810-4123

McDonald, Janet (2007) Living data in the Lower Balonne: cultural enablement or cultural imposition? Studies in Learning, Evaluation, Innovation and Development, 4 (1). pp. 79-90. ISSN 1832-2050

Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) A great show alone won't bring them back. In: VIth International Congress on Public and Non-profit Marketing (AIMPN2007), 14-15 June 2007, Braga, Portugal.

McDonald, Janet (2007) Boys at gender-play inside the muscular Christian ideal. Thymos: journal of boyhood studies, 1 (1). pp. 84-94. ISSN 1931-9045

Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) Exploring repurchase intention in a performing arts context: who comes? And why do they come back? International Journal of Nonprofit and Voluntary Sector Marketing, 12 (2). pp. 135-148. ISSN 1465-4520

McDonald, Janet (2007) Queering the representation of the masculine 'West' in Ang Lee's Brokeback Mountain. Gay and Lesbian Issues and Psychology Review, 3 (2). pp. 79-85. ISSN 1833-4512

McDonald, Janet (2006) Balancing the 'town and gown': the risky business of creating youth theatre in regional Queensland. International Journal of Pedagogies and Learning, 2 (2). pp. 6-13. ISSN 1833-4105

McDonald, Janet (2006) Playful trangressions: male drama teachers in elite boys' schools. In: What a man's gotta do?: masculinities in performance. University of New England, School of Arts, Centre for Australian Language, Literature, Theatre and Screen Studies, Armidale, NSW, Australia, pp. 136-151. ISBN 1921208023

Scollen, Rebecca and Martin, Jacqueline and Radbourne, Jennifer and Haseman, Brad (2006) Talking theatre: an audience development programme for regional Queensland and the Northern Territory 2004-2006. Project Report. Queensland University of Technology, Brisbane, Australia.

Copeman, Peter and Scollen, Rebecca (2000) Of training, tokenism and productive misinterpretation: reflections on the After China project. Diaspora: Negotiating Asian Australia (65). pp. 35-43. ISSN 0314-769X

Scollen, Rebecca (1999) Understanding new audiences: an audience reception study of 'non-theatregoers' attending La Boite Theatre Company's 1998 season. In: Australasian Drama Studies Association Annual Conference (ADSA 1999): Industrial Relations , 5-9 Jul 1999, Brisbane, Australia.

Scollen, Rebecca (1998) The valued customer: investigating Brisbane audiences. Ignite, 2. pp. 54-55. ISSN 1441-3191

This list was generated on Thu Jul 31 17:25:04 2014 EST.