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Chalk, Darryl (2014) Make me not sighted like the Basilisk: vision and contagion in The Winter's Tale. In: Embodied recognition and Shakespeare's theatre: the early modern body-mind. Routledge Studies in Shakespeare (10). Taylor & Francis (Routledge), Abingdon, OX. United Kingdom, pp. 111-132. ISBN 978-1-138-00075-9
Meenach, Bernadette and Dwyer, Patrick and Chalmers, Morgan (2013) Ms Garland at Twilight. [A Theatre collection]
Sparkes, Daryl J. (2013) Magnate (television script). [A Creative/Applied Media collection]
Smalley, Michael (2012) Unity, contrast and topology as the three coordinates of scenography. In: Australasian Association for Drama Theatre and Performance Studies Conference (ADSA 2012): Compass Points: The Locations, Landscapes and Coordinates of Identities, 3-6 Jul 2012, Brisbane, Australia.
Gearing, Phillip (2012) A Piano Spectacular. [A Music collection]
Gearing, Phillip (2012) Sara Macliver & The Camerata. [A Music collection]
Alderdice, Scott and Taylor-Smith, Carol and Chalmers, Morgan and Strahan, Christine and Poulton, Nigel and Andrews, Ben and Lyons, Katie and Janowicz, Sasha and O'Rourke, Lauren and Ellis, Hannah and Hunter, Christopher and Murphy, Kate and Curtin, Emily and Haegler, Shannon Shaniel and Raaen, Samantha and Fox, Lucy and Trenerry, Laura and Warburton, Toby and Widt, Jordana and Strambini, Jemima and Hillocks, Kate and MacDonald, Andrew (2011) Shakespeare in the Park: A Midsummer Night's Dream. [A Theatre collection]
Batorowicz, Beata (2011) Critical Craftings (Catalogue publication). [A Creative/Applied Media collection]
Chalk, Darryl (2010) Contagious emulation: antitheatricality and theatre as plague in 'Troilus and Cressida'. In: This earthly stage: world and stage in late medieval and early modern England. Cursor Mundi (13). Brepols Publishers, Turnhout, Belgium, pp. 75-101. ISBN 978-2-503-53226-4
Chalk, Darryl (2010) To creep in at mine eyes: theatre and secret contagion in Twelfth Night. In: Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 171-193. ISBN 978-1-4438-2328-9
Chalk, Darryl (2009) A nature but infected: plague and embodied transformation in Timon of Athens. Early Modern Literary Studies (19). 9.1-28.
Moor, Andrea and Taylor-Smith, Carolyn and Bauer, Russell and Dunne, Emma and Hawker, Anna and Burton, Zac and Wyton, Emily and Walsh, Matt and McDowell, Adele and Lollback, Ashlee and Johnson, Michael and Arons, Crystal and Rigby, Benjamin and Misevski, Belinda and Stuart, Lauren and Constantine, James and McKell, Jason and Pulsford, Elizabeth and Barry, Jane and Dunne, Emma and Koda, Jenna and Burt, Fiona and Ellis, Hannah and Alderdice, Scott and Weir, Kris and Pawlyszyn, Tonia and Ratcliffe, Angela and Sherritt, Lauren and Panitz, Timothy and Atkinson, Ralph and Wells, Col and Horstman, Bob and Mitchell, Kylie and Field, Cassie and Roi, Kallan and Horne, Christopher and Tickell, Christie and Ackerman, Ell-Leigh and Goulter, Nicole and Hough, Samantha and Milner, Ray and Bowen, Bryce (2009) Shakespeare in the Park: The Tempest. [A Theatre collection]
Stadler, Jane and McWilliam, Kelly (2009) Screen media: analysing film and television. Allen & Unwin, Sydney, Australia. ISBN 978-1-74175-448-3
Scollen, Rebecca (2009) Talking theatre is more than a test drive: two audience development methodologies under review. International Journal of Arts Management, 12 (1). pp. 4-13. ISSN 1480-8986
Anae, Nicole (2008) Poses, plastiques: the art and style of 'statuary' in Victorian visual theatre. Australasian Drama Studies (52). pp. 112-130. ISSN 0810-4123
Scollen, Rebecca J. (2008) Regional voices talk theatre: audience development for the performing arts. International Journal of Nonprofit and Voluntary Sector Marketing, 13 (1). pp. 45-56. ISSN 1465-4520
Alderdice, Scott and Taylor-Smith, Caroline and O'Rourke, Lauren and Poulton, Nigel and Nizielski, Richard and Raisin, Belinda and Thomas, Holly Grace and Riggs, Sonia and Corish, Andrea and Hunter, Christopher and Murphy, Kate and Sampson, Deb and Levien, Caroline and Carey, Tarah and Dyer, Madeleine and Raisin, Belinda and Susany, Ildiko and Kann, Lachlan and Thomas, Holly Grace and Newth, Nick and Mulvihill, Daniel and Fulinfaw, Jared and Castles, Katie and Walters, Bree and Weir, Kristin and Pawlyszyn, Tonia and Hawker, Anna and Horne, Chris and Hough, Samantha and Rann, Kim and Mitchell, Kylie and Panitz, Timothy and Atkinson, Ralph and Riggs, Sonia and Buckland, Jennie and Leyton, Monique and Loxley, Stephen and Stewart, Ben and KIngsley, Martine and Clark, Maree and Field, Cassie and Roi, Kallon and Wyton, Emily and Milner, Ray and Smith, Gwen and Dawes, Tammy and Nairn, Debra and Horstman, Bob and Szerencsi, George and Sinclair, Brianna and Resetti, Annie (2008) Shakespeare in the Park: Romeo & Juliet. [A Theatre collection]
Hume, Margee (2008) Developing a conceptual model for repurchase intention in the performing arts: the roles of emotion, core service and service delivery. International Journal of Arts Management, 10 (2). pp. 40-55. ISSN 1480-8986
Goodall, Jane (2008) Stage presence. Taylor & Francis (Routledge), London, United Kingdom. ISBN 978-0-415-39594-6
Anae, Nicole (2007) 'Belly-speakers', machines and dummies: puppetry in the Australian colonies, 1830s-1850s. Australasian Drama Studies (51). pp. 35-56. ISSN 0810-4123
McDonald, Janet (2007) Living data in the Lower Balonne: cultural enablement or cultural imposition? Studies in Learning, Evaluation, Innovation and Development, 4 (1). pp. 79-90. ISSN 1832-2050
Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) A great show alone won't bring them back. In: VIth International Congress on Public and Non-profit Marketing (AIMPN2007), 14-15 June 2007, Braga, Portugal.
McDonald, Janet (2007) Boys at gender-play inside the muscular Christian ideal. Thymos: journal of boyhood studies, 1 (1). pp. 84-94. ISSN 1931-9045
Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) Exploring repurchase intention in a performing arts context: who comes? And why do they come back? International Journal of Nonprofit and Voluntary Sector Marketing, 12 (2). pp. 135-148. ISSN 1465-4520
McDonald, Janet (2007) Queering the representation of the masculine 'West' in Ang Lee's Brokeback Mountain. Gay and Lesbian Issues and Psychology Review, 3 (2). pp. 79-85. ISSN 1833-4512
McDonald, Janet (2006) Balancing the 'town and gown': the risky business of creating youth theatre in regional Queensland. International Journal of Pedagogies and Learning, 2 (2). pp. 6-13. ISSN 1833-4105
McDonald, Janet (2006) Playful trangressions: male drama teachers in elite boys' schools. In: What a man's gotta do?: masculinities in performance. University of New England, School of Arts, Centre for Australian Language, Literature, Theatre and Screen Studies, Armidale, NSW, Australia, pp. 136-151. ISBN 1921208023
Scollen, Rebecca and Martin, Jacqueline and Radbourne, Jennifer and Haseman, Brad (2006) Talking theatre: an audience development programme for regional Queensland and the Northern Territory 2004-2006. Project Report. Queensland University of Technology, Brisbane, Australia.
Copeman, Peter and Scollen, Rebecca (2000) Of training, tokenism and productive misinterpretation: reflections on the After China project. Diaspora: Negotiating Asian Australia (65). pp. 35-43. ISSN 0314-769X
Scollen, Rebecca (1999) Understanding new audiences: an audience reception study of 'non-theatregoers' attending La Boite Theatre Company's 1998 season. In: Australasian Drama Studies Association Annual Conference (ADSA 1999): Industrial Relations , 5-9 Jul 1999, Brisbane, Australia.
Scollen, Rebecca (1998) The valued customer: investigating Brisbane audiences. Ignite, 2. pp. 54-55. ISSN 1441-3191