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Gehrmann, Richard (2014) Entertaining Australian troops at war in Afghanistan and Iraq. Popular Entertainment Studies, 5 (1). pp. 128-143.
Gearing, Phillip John and Forbes, Melissa (2013) Creating a functional musician: a performance workshop model. The International Journal of Arts Education, 7 (3). pp. 39-46. ISSN 2326-9944
Batorowicz, Beata and Williams, Megan and Klos, Agnieszka and Ludwiczak, Beata and Stringer, Richard and Franzidis, Evie and Stubbs, Katrina and Van Ooyen, Vanessa (2012) Tales within historical spaces (bilingual artist book). [Other Creative Art collection]
Alderdice, Scott (2011) A Midsummer Night's Dream: how to incorporate music into text without creating a musical. [A Theatre collection]
Parker, Alysson B. (2010) This narrative is no fiction: mapping cultural expressions of post-traumatic slave disorder. [Thesis (PhD/Research)] (Unpublished)
Hume, Margee and Sullivan-Mort, Gillian (2010) Uniting the service trinity in non-profit community organisations: a sequence of studies, reflections and implications for theory and practice in the performing arts. In: Handbook of business and finance: multinational companies, venture capital and non-profit organizations. Businness Issues, Competition and Entrepeneurship . Nova Science Publishers, Inc., New York, NY. United States, pp. 79-99. ISBN 978-1-606-92855-4
Hume, Margee (2009) Repurchase intent in the experiential context: using an operations and marketing perspective to invesitgate the cultural performing arts. Lambert Academic Publishing, Koln, Germany. ISBN 978-3-8383-2758-7; 3838327586
Alderdice, Scott (2008) Working with Shakespeare. [A Theatre collection]
Scollen, Rebecca J. (2008) Regional voices talk theatre: audience development for the performing arts. International Journal of Nonprofit and Voluntary Sector Marketing, 13 (1). pp. 45-56. ISSN 1465-4520
Gearing, Phillip John (2008) The evaluation of a tertiary-level distance-mode aural training programme. PhD thesis, University of Queensland.
Hume, Margee (2008) Developing a conceptual model for repurchase intention in the performing arts: the roles of emotion, core service and service delivery. International Journal of Arts Management, 10 (2). pp. 40-55. ISSN 1480-8986
Hume, Margee and Sullivan Mort, Gillian (2008) Understanding the role of involvement in customer repurchase of the performing arts. Journal of Nonprofit and Public Sector Marketing, 20 (2). pp. 299-328. ISSN 1049-5142
Ballantyne, Julie (2007) Documenting praxis shock in early-career Australian music teachers: the impact of pre-service teacher education. International Journal of Music Education: Practice, 25 (3). pp. 181-191.
Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) A great show alone won't bring them back. In: VIth International Congress on Public and Non-profit Marketing (AIMPN2007), 14-15 June 2007, Braga, Portugal.
Hume, Margee and Winzar, Hume and Sullivan Mort, Gillian (2007) Exploring repurchase intention in a performing arts context: who comes? And why do they come back? International Journal of Nonprofit and Voluntary Sector Marketing, 12 (2). pp. 135-148. ISSN 1465-4520
Hume, Margee and Sullivan Mort, Gillian and Liesch, Peter and Winzar, Hume (2006) Understanding service experience in non-profit performing arts: implications for operations and service management. Journal of Operations Management, 24 (4). pp. 304-324. ISSN 0272-6963
Hume, Margee and Sullivan Mort, Gillian and Winzar, Hume (2006) If the show must go on ..... don't neglect the service! Journal of Management and World Business Research, 3 (1). pp. 81-119. ISSN 1449-3179
Scollen, Rebecca J. (2005) Talking theatre: can we turn 'non-theatregoers' into paying audiences? Artreach: the Regional Arts NSW Quarterly Magazine, Autumn. pp. 12-13. ISSN 1442-1151
Scollen, Rebecca (1999) Understanding new audiences: an audience reception study of 'non-theatregoers' attending La Boite Theatre Company's 1998 season. In: Australasian Drama Studies Association Annual Conference (ADSA 1999): Industrial Relations , 5-9 Jul 1999, Brisbane, Australia.