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Browse by Fields of Research (ANZSRC 2008)
Number of items at this level: 47.
Scollen, Rebecca (2012) 'Olivia has lost her voice!': an audience reception study of children's response to new Australian play, Spirits in Bare Feet. Youth Theatre Journal, 26 (2). pp. 158-172. ISSN 0892-9092
Smalley, Michael (2012) Unity, contrast and topology as the three coordinates of scenography. In: Compass Points: The Locations, Landscapes and Coordinates of Identities, Australasian Association for Drama Theatre & Performance Studies (ADSA) 2012 Conference, 3-6 Jul 2012, Brisbane, Australia.
Scollen, Rebecca (2011) Does the 'Shakespeare' in Shakespeare in the Park matter?: an investigation of attendances and attitudes of the USQ Shakespeare in the Park Festival. Applied Theatre Researcher (12). ISSN 1443-1726
Alderdice, Scott and Taylor-Smith, Carol and Chalmers, Morgan and Chalmers, Morgan and Strahan, Christine and Poulton, Nigel and Andrews, Ben and Lyons, Katie and Janowicz, Sasha and O'Rourke, Lauren and Ellis, Hannah and Hunter, Christopher and Murphy, Kate and Curtin, Emily and Haegler, Shannon Shaniel and Raaen, Samantha and Fox, Lucy and Trenerry, Laura and Warburton, Toby and Widt, Jordana and Strambini, Jemima and Hillocks, Kate and Schwenke, Laura and MacDonald, Andrew and Smalley, Michael and Horstman, Bob and Panitz, Timothy and Howarth-Crewdson, Shane and Pawlyszyn, Tonia and Barlow, Maddie and Schutt, Jess and Fry, Linda and Joyce, MJ and Nicholls, Riley and Williams, Sarah and Ascough, Ash and Collard, Greg and Di Pompo, Luisa and Linde, Tammy and Thomas, JT and Curran, Alyce and Hurst, Katie and Pirie, Steve and Blewonski, Fallon and Oborn, Marcus and Slade, Jai and Van Prooyen, Deanne and Webb, Jess and Kollasch, Sam and Woodcock, Anneke and Wedmaier, Jeanette (2011) Shakespeare in the Park: A Midsummer Night's Dream. [A Theatre collection]
Scollen, Rebecca (2011) Spirits in Bare Feet: a story waiting to be told. [A Creative/Applied Media collection]
Pryde, Bernadette (2010) Talking to Terrorists. [A Theatre collection]
Timbrell, Daniel (2010) 'When I am in game, I am furious': gaming and sexual conquest in early modern English drama. [Thesis (_PhD/Research)] (Unpublished)
Chalk, Darryl (2010) Contagious emulation: antitheatricality and theatre as plague in 'Troilus and Cressida'. In: Hirsch, Brett D. and Wortham, Christopher, (eds.) This earthly stage: world and stage in late medieval and early modern England. Cursor Mundi (13). Brepols Publishers, Turnhout, Belgium, pp. 75-101. ISBN 978-2-503-53226-4
Chalk, Darryl (2010) To creep in at mine eyes: theatre and secret contagion in Twelfth Night. In: Chalk, Darryl and Johnson, Laurie, (eds.) Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 171-193. ISBN 978-1-4438-2328-9
Chalk, Darryl (2009) A nature but infected: plague and embodied transformation in Timon of Athens. Early Modern Literary Studies, Special Issue 19: Embodying Shakespeare . 9.1-28.
Pryde, Bernadette (2009) Totally Over You. [A Theatre collection]
Scollen, Rebecca (2009) Talking theatre is more than a test drive: two audience development methodologies under review. International Journal of Arts Management, 12 (1). pp. 4-13. ISSN 1480-8986
Scollen, Rebecca J. (2008) Talking theatre: developing audiences for regional Australia. The International Journal of the Arts in Society, 3 (3). pp. 103-114. ISSN 1833-1866
Scollen, Rebecca J. (2008) New audiences' reception of plays (before, during and after). In: 2006 Australasian Drama Studies Association Annual Conference: Before, During and After, 4-7 July 2006, Sydney, Australia.
Pryde, Bernadette (2008) The Rimers of Eldritch. [A Theatre collection]
Anae, Nicole (2008) Poses, plastiques: the art and style of 'statuary' in Victorian visual theatre. Australasian Drama Studies (52). pp. 112-130. ISSN 0810-4123
Scollen, Rebecca (2008) Bridging the divide: regional performing arts centres and non-theatregoers introduced. Applied Theatre Researcher (9). pp. 1-13. ISSN 1443-1726
McDonald, Janet (2007) Muscular christians and drama faggots: observing a queering pedagogy beyond the binary in all-boys schools. Journal of Artistic and Creative Education, 1 (2). pp. 5-23. ISSN 1832 - 0465
Anae, Nicole (2007) 'Belly-speakers', machines and dummies: puppetry in the Australian colonies, 1830s-1850s. Australasian Drama Studies (51). pp. 35-56. ISSN 0810-4123
Pryde, Bernadette (2007) Dr Mandi's 9 Easy Steps to Romantic Bliss. [A Theatre collection]
McDonald, Janet (2007) Comfort the disturbed.... disturb the comfortable: queering pedagogy and transmutations. In: Beyond Tolerance: 2007 Diversity in Education One Day Conference, 24 Aug 2007, Southern Cross University, Lismore, Australia. (Unpublished)
Pryde, Bernadette (2007) Wild Swans. [A Theatre collection]
McDonald, Janet (2007) Living data in the Lower Balonne: cultural enablement or cultural imposition? Studies in Learning, Evaluation, Innovation and Development, 4 (1). pp. 79-90. ISSN 1832-2050
McDonald, Janet (2007) Boys at gender-play inside the muscular Christian ideal. Thymos: journal of boyhood studies, 1 (1). pp. 84-94. ISSN 1931-9045
Alderdice, Scott (2007) Discovering Brecht. [A Creative/Applied Media collection]
Scollen, Rebecca (2007) On the record: an account of regional non-theatregoers' responses to a selection of plays toured to northern Australia in 2004-2005. Australasian Drama Studies, 50 . pp. 183-201. ISSN 0810-4123
McDonald, Janet (2007) Queering the representation of the masculine 'West' in Ang Lee's Brokeback Mountain. Gay and Lesbian Issues and Psychology Review, 3 (2). pp. 79-85. ISSN 1833-4512
Scollen, Rebecca (2007) Theatre talks evolve into talking theatre. In: Feiler, Y. and Hoogland, R. and Westerling, K., (eds.) Willmar in the world: young scholars exploring the theatrical event. Stockholm University, Stockholm, Sweden, pp. 46-58. ISBN 978-91-976743-0-0
McDonald, Janet (2006) Balancing the 'town and gown': the risky business of creating youth theatre in regional Queensland. International Journal of Pedagogies and Learning, 2 (2). pp. 6-13. ISSN 1833-4105
Anae, Nicole (2006) Adventures in nineteenth century gender bending: Lady Emilia Don in Tasmania: 1862 and 1865. Australasian Drama Studies, 48 . pp. 30-48. ISSN 0810-4123
McDonald, Janet (2006) Cultural Catchments Project. [A Theatre collection]
McDonald, Janet (2006) Playful trangressions: male drama teachers in elite boys' schools. In: Kiernander, Adrian and Bollen, Jonathan and Parr, Bruce, (eds.) What a man's gotta do?: masculinities in performance. University of New England, School of Arts, Centre for Australian Language, Literature, Theatre and Screen Studies, Armidale, NSW, Australia, pp. 136-151. ISBN 1921208023
Scollen, Rebecca J. and Martin, Jacqueline E. and Radbourne, Jennifer J. and Haseman, Brad C. (2006) Talking Theatre: an audience development research project for regional Queensland and the Northern Territory 2004-2006. Project Report. Queensland University of Technology, Brisbane.
Alderdice, Scott (2006) The Doctor and Nursey Wursey's Most Amazing Hydrological Examination. [A Theatre collection]
McDonald, Janet (2005) Que-rious impositions: reflections on the pedagogy at the core of a regional youth theatre in Queensland, Australia. NJ Drama Australia Journal, 29 (2). pp. 83-90. ISSN 1445-2294
Pryde, Bernadette (2005) Revolution of the Mouth. [A Theatre collection]
Alderdice, Scott (2005) Clown Verona. [A Theatre collection]
Payne, Benjamin John (2005) Facing reality: idealism versus conservatism in Australian theatre and politics at the turn of the twenty-first century. [Thesis (_PhD/Research)] (Unpublished)
McDonald, Janet (2005) QUE project. [A Theatre collection]
Scollen, Rebecca J. (2005) Talking theatre: can we turn 'non-theatregoers' into paying audiences? Artreach: the Regional Arts NSW Quarterly Magazine, Autumn . pp. 12-13. ISSN 1442-1151
Stewart, Robyn Anne (2003) Practice vs praxis: modelling practitioner-based research. In: 2002 International Society for Education through Art (InSEA) World Congress, 19-24 Aug 2002, New York, USA.
Scollen, Rebecca J. (2000) Sport as theatrical event. In: Keech, Marc and McFee, Graham, (eds.) Issues and values in sport and leisure cultures. Chelsea School Research Centre Edition, 9 . Meyer & Meyer Sport , Oxford, UK, pp. 229-254. ISBN 1-84126-055-X
Scollen, Rebecca J. (1999) Understanding new audiences: an audience reception study of 'non-theatregoers' attending La Boite Theatre Company's 1998 season. In: 1999 Australasian Drama Studies Association Annual Conference: Industrial Relations , 5-9 July 1999, Brisbane, Australia.
Scollen, Rebecca J. (1998) The valued customer: investigating Brisbane audiences. Ignite, 2 . pp. 54-55. ISSN 1441-3191
Willems, Christiaan H. (1996) Technological challenges: aesthetic solutions: the impact of technology upon the creative process in the context of the adaptation of non-verbal, solo stage performance to television. Research Masters thesis, Queensland University of Technology.
Chalk, Darryl and Johnson, Laurie (2010) Introduction: 'Rapt in secret studies' and emergence in Shakespeare studies. In: Chalk, Darryl and Johnson, Laurie, (eds.) Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 1-8. ISBN 978-1-4438-2328-9
Timbrell, Daniel (2010) I will fast being loose: gaming and sexual conquest in Love's Labour's Lost. In: Chalk, Darryl and Johnson, Laurie, (eds.) Rapt in secret studies: emerging Shakespeares. Cambridge Scholars Publishing, Newcastle upon Tyne, United Kingdom, pp. 49-70. ISBN 978-1-4438-2328-9